Blatná Chateau Diary

I had visited Blatná twice before, but not during the last five years. Those first two trips I had traveled to the south Bohemian town by bus, but now I had the luxury of going by car with a friend. Blatná is a chateau that makes an everlasting first impression as it is surrounded by water. By the summer of 2021, I knew very well that its romantic exterior was matched by an enthralling interior. Unfortunately, it was prohibited to take photos inside.

I already knew the history of the chateau, which harkened back to at least the  13th century, when the name first appeared in writing. Benedikt Reid, the acclaimed 15th century architect who helped designed Prague Castle, worked his magic on this chateau as well. The highlight for me was the Green Chamber with its exquisite Late Gothic art. The Sternbergs featured in the story of Blatná, as they had in the history of Český Šternberk Castle and Jemniště Chateau, which we had also visited during that summer of 2021. This family bought Blatná in 1541 and added a Renaissance palace.

Another clan played a major role in the chateau’s long and vibrant life. During 1798, Baron Karel Hildprandt purchased Blatná, and it remained his property until 1948. Even after the chateau was nationalized by the Communists that year, the Hildprandts were allowed to live there, albeit in two small rooms. When the Emperor of Ethiopia paid a visit to Czechoslovakia in 1959, he asked that the Hildprandt family be allowed to emigrate to his country. They got permission and resided in Ethiopia until the Soviets took charge in the 1970s. From there, the Hildprandts’ journey continued to Spain and West Germany. After the 1989 Velvet Revolution that triggered the end of Communist rule, the family got the chateau back. During 1992, the descendants returned to the chateau and later made their home there.

A legendary 19th century Czech scientist was connected with the chateau, too. Jan Evangelista Purkyně had lived and studied at Blatná. The library where he spent much of his time now holds 13,000 volumes. Acclaimed worldwide, he excelled as a physiologist, botanist, anatomist, poet and philosopher. He also contributed to the art of animated film. Purkyně translated poetry from German and Italian to Czech, especially the works of Friedrich Schiller. Other writings focused on slavistic studies and autobiography. He joined the Piarist Order when he was young, but he left and became a tutor to noble families. Later, he joined Prague’s medical faculty of Charles University as a professor. Holy Roman Emperor Franz Josef knighted him in 1868. I recalled that as a youth he had lived at Libochovice Chateau, where his father had worked. Libochovice was a marvelous chateau, one I had visited several times and had described in several articles.

Two spaces in Blatná made the chateau most notable. The Ethiopia Room was a delight with souvenirs from the Hildprandts’ tenure in that country. Unfortunately, during our 2021 tour, we did not see this room, although it was listed on our ticket.

The other remarkable space was the Green Chamber with Late Gothic frescoes. I saw plant motifs and coats-of-arms of well-known Czech noble families painted on the walls of this small space. There were many religious scenes as well. The birth of Christ and St. George fighting the dragon were the subjects of two frescoes that captured my undivided attention. I recalled the numerous Saint George relics housed at Konopiště Chateau, where my friend and I had been the previous summer. I had written articles about that chateau and the Saint George Museum as well. In the Green Chamber, Saints Wenceslas (Václav), Barbora and Markéta made appearances in religious scenes, too. One painting showed a landscape with Blatná in the background. I have always been mesmerized by this small space. It was so well-preserved, and the wall paintings were astounding. The Green Chamber was always the highlight of my visit.

The chapel was a thrill, too. It included Gothic vaulting and thin, high Gothic windows. The cheerful yellow color of the Baroque Salon reminded me of the yellow kitchen in my former parents’ home – a kitchen I would never see again because my parents had moved.  I loved the intarsia furniture in this space. An English clock’s decoration showed the four seasons. I also was captivated by an Oriental jewel chest with hidden drawers. I recalled my visit to the extensive ruins of Rabí Castle when I saw that structure rendered in an impressive artwork. The Painting Gallery included a portrayal of a vast landscape on one wall and a superb chandelier made of Czech glass. A map in a hallway amazed. It hailed from the 17th century and was one of only two copies in existence. I saw Prague’s Charles Bridge before the statues had been built on it. I imagined strolling along the Charles Bridge sans the Baroque statues it was known for.

In the Hunting Salon some furniture was made from deer antlers. Archduke Franz Ferdinand d’Este visited occasionally to go on hunting trips with the Hildprandt owner. I recalled that during a previous visit, a guide had told our group that a chandelier had fallen during one of Ferdinand d’Este’s visits, but I didn’t remember anything about anyone being hurt.

In the Dining Room, I was drawn to the red-and-black chairs and the daiquiri green tiled stove. The 19th century Neo-Gothic furniture was impressive.  Japanese plates decorate a wall of another space with a Neo-Renaissance tiled stove and chandelier in Empire style. I noticed some Egyptian features of the Empire furniture. In other spaces an exotic landscape graced a tapestry, and four paintings of the Italian seaside decorated a wall.

Drawings of Venice also captivated me. I remembered walking through Venice on an early Sunday morning some years ago when I practically had the city to myself. That was one of my favorite experiences in my travel adventures. A huge black Empire style tiled stove stood out in one space as did other Empire furniture, including the black-and-gold chandelier made in that 19th century style.  In the Study of Jaroslav Rožmitál, I saw paintings of Adam and Eve plus renditions of saints George, Wenceslas and Catherine. A 1720 map of Bohemia in another space caught my attention, too.

The tours were comprehensive. We had all worn masks, so I had felt protected from coronavirus, and there were not many cases in the country at the time. Afterwards, my friend and I went to a hotel for lunch, the same restaurant where I had eaten during my previous visits. We both had the fried chicken steak, a popular meal in the Czech Republic. We talked about where we would travel the following week. Life was good.

Tracy A. Burns is a writer, proofreader and editor in Prague.

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Libochovice Chateau Diary

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I discovered Libochovice Chateau in 2005 and wrote about it in an article describing chateaus in north Bohemia. It was published during October of that year in The Washington Post. Libochovice is certainly a hidden gem in north Bohemia. I recalled its dazzling displays, stunning tapestries, breathtaking ceiling frescoes and beautiful tiled stoves plus exquisite jewel chests. It is a shame there are not more foreign tourists making the trip there. It has so much to offer the curious castlegoer.
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Before entering the chateau courtyard, I peered at the statue of Jan Evangelista Purkyně, who was born in Libochovice during 1787 and who became one of the leading scientists in the world, as he delved into the studies of anatomy and physiology. His father had worked for the Dietrichsteins, the family who had owned the chateau at that time. For two years Purkyně served as a tutor at Blatná Chateau, a remarkable sight in south Bohemia. Later, he made numerous discoveries in the scientific sphere, such as the Purkinje effect, Purkinje cells, Purkinje fibers, Purkinje images and the Purkinje shift. He also coined the scientific terms plasma and protoplasm. A crater on the moon and an asteroid are named after him.
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Before my trip, I had read up on the history of the town and chateau. Located near the romantic ruins of Házmburk Castle, Libochovice was first mentioned in writing at the beginning of the 13th century. At that time, Házmburk Castle, then called Klapý and by no means a ruin, played a major role in the development in the town. A wooden fortress was built in Libochovice, and it was later replaced by a stone Gothic structure. During the Hussite Wars of the 15th century, the castle in Libochovice was razed, the town conquered.
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The Lobkowiczs took over the properties in 1558, and they were responsible for constructing a Renaissance chateau with 28 rooms on the premises. When Jiří Lobkowicz revolted against Emperor Rudolf II in 1594, he was imprisoned, and his property was confiscated. That’s when the Sternberg family took control. Still, times were not rosy. The Thirty Years’ War did much damage, and during a fire in 1661, the chateau was destroyed.
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When Václav Vojtěch Sternberg sold Libochovice to Austrian noble Gundarkar from Dietrichstein in 1676, a new era had begun. The Dietrichsteins would retain ownership until 1858. The chateau was reborn from 1683 to 1690, designed in early Baroque style. There were four wings with a courtyard decorated with Tuscan pilasters and arcades. A sala terrena on the ground floor led to the garden.
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Unfortunately, Gundakar died before the construction of the two-floor structure was completed. His daughter Terezie was then in charge of the chateau, and she had renovations made in the 1870s. More reconstruction occurred from 1902 to 1912. In the 19th century Johann Friedrich Herberstein added many objects of interest to the chateau collection. An avid traveler, he toured Egypt, Syria, Persia and India, for instance.
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During World War II the chateau’s history was bleak. That’s when Nazis took over Libochovice Chateau. Sixty-five residents of the town and surroundings revolted against the Third Reich and were beheaded by the Nazis. After 1945 the chateau was confiscated and nationalized because wartime owner Friedrich Herberstein had obtained German citizenship. More reconstruction took place throughout the decades, and in 2002 the chateau was declared a national monument.
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I was so excited about this tour. First, we visited the sala terrena, which looked like a richly adorned cave. The vaulted ceiling was incredible. I loved the sea motif as decorative seashells took the shape of a floral design. The reliefs of a sea monster also enthralled me.
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Next, we came to one of the highlights of the chateau, large Saturn Hall, where banquets, balls and concerts had been held. Above the fireplace a stucco sculptural grouping focused on Saturn. The Baroque chandelier, hailing from Holland, also captured my interest.
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From there, we continued to the Baroque section of the chateau. The ceiling fresco in the first room was breathtaking, displaying a mythological scene. A Renaissance chest gilded with ivory and a Baroque jewel chest inlaid with ivory and tortoiseshell were two delights.
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I marveled at the tapestry, one of many I would see in this chateau, in the Big Gallery. It dated from the 16th century, and its theme was the Trojan War. The guide remarked that the tapestries were not put up for merely for show; they had also helped heat the rooms. A Baroque fireplace hailed from 1620. Still, that was not all this room had to offer. A jewel chest featuring carved reliefs hailed from the beginning of the 17th century.
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The Study included an atlas from 1775 with pages of handmade paper. I wanted to turn the pages to find out what the handmade paper felt like. I recalled visiting the papermill in Velké Losiny, located in north Moravia, long ago, when I also toured the chateau there. It had been an enthralling experience, I mused. Then a jewel chest made with intarsia dazzled me. One tapestry in this room showed off a garden party while another sported a plant motif in an idyllic setting. The Baroque stove hailed from 1690. There were so many impressive Baroque stoves in this chateau!
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During the 17th and 18th centuries in the Czech lands, there was much interest in Chinese and Japanese porcelain. The Chinese and Imari Japanese vases in the Oriental Salon reminded me of a trip to Dresden’s Porcelain Museum. The pieces in the chateau were so exquisite. Upon seeing an impressive French Baroque clock, I recalled the one I had seen at Loučeň Chateau a few months earlier. And how I loved jewel chests! This particular jewel chest was inlaid with ivory and tortoiseshell, featured intarsia craftsmanship and portrayed a hunting scene. Another thrilling tapestry was on display. I recalled the exciting tapestries at the Residence Palace Museum in Munich.

In the Bedroom I admired the spiral carved columns of the 17th and 18th century Baroque closets as well as the bed with canopy. A Rococo crucifix was also on display. The tapestry in this room featured King Solomon. I was enthusiastic because I knew there were even more tapestries to come.
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Rococo furniture from the 18th century decorated the Morning Salon. I mused that it must have been delightful to sit in this room and sip black or green tea. Two tapestries portraying the apostles adorned the space. And there was yet another ceiling fresco! This one showed Persephone venturing into the Underworld. I was especially drawn to the jewel chest with pictures of a town carved on its drawers. The attention to detail fascinated me.

In the Ladies’ Cabinet there was a Baroque commode with exquisite intarsia plus a Rococo table and desk also created with intarsia. The three tapestries took up themes of nature and architecture, offering a respite from the religious scenes that the tapestries often portrayed.
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The Men’s Cabinet was decorated mostly with Neo-Renassaince and Second Rococo furniture. A large desk was Baroque. If I had not visited so many chateaus, it would have never occurred to me that the big bowl decorated with images of birds and floral motifs used to serve as an aquarium.
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Next came the chapel. While it was originally designed in Gothic style, the chapel now looks as it did after a 19th century renovation. I admired the stained glass windows. I love stained glass! The Neo-Gothic altar featured the apostles. What captured my attention the most, however, was a 16th century exquisitely carved altar showing off the adoration of the Three Kings. The woodwork was incredible, so detailed, so exquisite.
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The Big Dining Room took on Renaissance and Baroque characteristics. A carpet covered the large table, set for a feast. The tableware was made of pewter, typical of the Renaissance era. On the table there was a bowl that served as a washbasin for guests to clean their hands while eating. And more tapestries to behold! This time the two tapestries portrayed Alexander of Macedonia. Two paintings rendered scenes from antiquity. (The paintings throughout the chateau also are worthy of undivided attention.) Once again, I admired yet another ceiling fresco. This one centered around Aphrodite and Athena. In the corners four female figures in oval medallions represented the four continents. (Australia had yet to be discovered.)
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I liked the Biedermeier furniture in the Small Dining Room. That style seemed to me to have such a sense of order and rationality. Yet I was enthralling by all styles of all eras. The colored decorative porcelain from Dresden and the pink-and-white Viennese porcelain service also caught my eye. The Baroque stove was quite a sight, too.

The Rococo Salon featured furniture of the Second Rococo style from the mid-19th century. The pink walls made the room feel quaint and inviting. Stucco adorned the ceiling fresco. Another Baroque stove and Meissen porcelain made appearances. In a flattering portrait, Terezie Dietrichsteinová – Herbersteinová, a former owner of the chateau, looked calm and content with life. I wondered if I was at a time in my life when I was calm and content. To some extent, yes. And traveling certainly played a major, positive role in my contentment.
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The Empire Salon was decorated with furniture of that style from the 19th century. On the walls were pictures of Dietrichstein properties – Nové Město nad Metují Chateau, Kounice and Mikulov, all rendered masterfully by František Kučera. I liked the clock featuring a tongue that showed the time. The clock making time with its tongue brought to mind images of the living objects in The Beauty and the Beast. From the window there was a splendid view of the park.
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The 19th century library was intriguing because it contained mostly books about natural science and travel, all printed in numerous languages. I had not heard of chateau libraries concentrating on only a few subjects. While about 2,500 books were on display, there were approximately 6,000 volumes in total. Objects that Josef Herberstein had brought back from his travels adorned the room, too. I saw African masks, an African crocodile and a Japanese sword, for instance. Another exquisite Baroque stove stood in the space.
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The last room was the casino. A Russian pool table made in Prague dominated the room. I noticed that the card tables were made with intarsia. Portraits of the Dietrichstein clan hung on the walls. Josef, who loved traveling and hunting, was rendered in hunting attire, armed with a rifle and accompanied by a dog. I mused that he must have been a brave man to travel to such distant lands.
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Next I took a look at the park, which had been created in French style during 1683. Later, it got a Baroque makeover, and then it was changed into an English park. Now it is once again in French style, thanks to 20th century reconstruction. I loved the view of the chateau from the back, which sported floral adornment and a fountain. The chateau looked so majestic when viewed from that area.

I ate lunch at a nearby restaurant on the main square that was sleepy on a Saturday afternoon. Libochovice Chateau had dazzled me once again. The combination of ceiling frescoes, Baroque stoves, jewel chests and tapestries made the chateau unique and irresistible. The paintings also contributed to the majestic interior, where no object or piece of furniture failed to enthrall.
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The interior had plenty to offer. I mused that there should be tours of the chateau offered from Prague. Libochovice deserved numerous accolades, and it was a chateau I would never forget, no matter how many chateaus I visited. The combination of artifacts and the design of the interior made Libochovice unforgettable, a place I could tour 100 times and not be bored. Every object spoke to me; nothing failed to capture my interest and curiosity. Yes, Libochovice is a special place, and my visit made my day a huge success.
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Tracy A. Burns is a writer, proofreader and editor in Prague.

More photos from a 2022 visit: