Church of Saint Corona Diary

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The first place our guides took us in Vicenza was the Church of Saint Corona, a three-nave Gothic structure with many treasures inside. The church harkens back to 1261, when it was constructed to house a Holy Thorn that the bishop of Vicenza had received as a present from French King Louis IX.

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I loved the interior with its paintings, frescoes, superb choir, ceiling and chancel. The artwork included a masterpiece by Paolo Veronese, “Adoration of the Magi.” The main altar featured Giovanni Bellini’s “The Baptism of Christ” while Bartolomeo Montagna’s “Magdalen and Saints” also made an appearance. I was especially entranced with Giabattista Pittoni’s “Enthroned Madonna and child venerated by Saints Peter and Pius V,” though all the paintings greatly impressed me. I loved art, and seeing these paintings filled me with joy and excitement as if I were at a renowned art museum.

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The choir in the apse was another wonder. The carved, inlaid decoration on the wooden choir was so delicate and detailed. The frescoes in the Thiene Chapel hailed from the early 15th century. The chancel was also of Renaissance origin. The painted coffered ceiling with stucco decoration was another jewel.  The superbly adorned main altar also appealed to me. The stained glass windows amazed.

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Of course, we could not take a good look at the church without paying close attention to the Valmarana Chapel, designed by Andrea Palladio around 1576 and located in the crypt. The Valmarana clan had been buried in the church, so it was no surprise that Antonio Valmarana had chosen to be interred there. The chapel was simply designed as a balanced space with a square space. The two niches in the chapel were simple yet helped give the space a sense of elegance. I liked the symmetry, and I would appreciate this characteristic of Palladio’s architecture in many other works that day and in the following days of our trip.

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Every element of the church seemed unique. The paintings each told a powerful story. The Gothic characteristics, the ceiling, the chancel, the choir, the chapel designed by Palladio – everything fused together to make this an architectural gem, just one of the many architectural gems that awaited me in Vicenza.

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Tracy A. Burns is a writer, proofreader and editor in Prague.

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