2024 Travel Diary

David Caspar Friedrich, The Wanderer

As usual, this past year was punctuated by travel, though most trips only lasted one day or half of a day. Still, I was able to explore many sights within a two-hour distance of Prague. Once again, I realized that the Czech Republic blossoms with beauty in every niche of the country.

Perhaps the painting that best expresses my year of travel is one I saw at an exhibition of David Caspar Friedrich’s paintings from the Romanticist era. While admiring his “The Wanderer,” I saw the back of a male figure in the forefront, standing on a cliff as he peered at the mist-filled mountains beyond. It epitomizes why I love travelling: to discover new worlds, to muddle through that mist, reaching a clarity that allows me better to understand myself as well as to gain historical knowledge.

By David Caspar Friedrich, on display at Albertinum for temporary exhibition

In the Dresden Albertinum, I was mesmerized by Friedrich’s landscapes. Many featured vibrant colors and a brilliant use of light. He also created dark paintings with a chiaroscuro element that gave them a mystical appearance. Some of his landscapes included a solitary figure traveling alone in nature. Friedrich’s gnarled trees in barren environments were symbolic. I felt especially drawn to his portrayal of mountains in shades of pink.

By Marc Chagall, on display at Albertina in Vienna for temporary exhibition

By Paul Gauguin

By Hoogstraten, Rembrandt’s pupil

I spent three days in Vienna going to major exhibitions featuring works by Chagall, Gauguin and Hoogstraten, a star pupil of Rembrandt. I hadn’t realized how many of Chagall’s paintings took on Jewish themes and serious topics. I had always thought of Chagall’s art as fun-loving and colorful. My favorites were those inspired by Paris and the circus, created in bright blues and yellows. The Gauguin retrospective showed his works from various time periods, so it was possible to see his specific artistic developments. I was most impressed with his early landscapes. I had not heard of Hoogstraten, whose portraits brought out the soul in the sitters just as Rembrandt’s did. His intriguing use of perspective in some paintings also impressed me. Works by Rembrandt also enchanted me in this exhibition.

Franz Xaver Messerschmidt, Character Heads

by Gustav Klimt on permanent display at Upper Belvedere

By Václav Špála, on display at Upper Belvedere

City of Vienna Museum, permanent collection

We also visited the Upper Belvedere Palace Museum in Vienna. While it is best known for its Gustav Klimt and Egon Schiele creations, I was entranced with the medieval art in the basement and the Central European collection that featured Czech greats such as Jan Procházka, Bohumil Kubišta and Václav Špála. The Klimt paintings were extremely powerful as were all the Impressionist and Post-Impressionist works. My favorite part of the museum involves the unique Late Baroque Character Heads by Franz Xaver Messerschmidt, who rendered alabaster busts of insane people with unique facial expressions. You could see into their souls. In Vienna I entered the City Museum for the first time. The exhibits trace the history of the city from the beginnings to modern day. I saw intriguing paintings, furnishings, posters and objects, among others.

by Eva Švankmajer

Puppets by Jan Švankmajer

Puppet by Jan Švankmajer

I also went to many exhibitions in the Czech Republic outside of Prague. In Kutná Hora I visited an exhibition of works celebrating the 90th birthday of Jan Švankmajer, a surreal artist, along with creations by his wife Eva. The exhibition Disegno Interno included collages, graphic art, objects, book illustrations, drawings, paintings, animated film creations and puppet theatre of both artists from the 1960s and later. Their creations included works that resemble Rudolfine Mannerist renditions as kinds of cabinet of curiosities and art inspired by Giuseppe Arcimboldo. I also noted the inspiration of the Baroque tradition in puppet theatre. Other works fell into the categories of art-brut, eroticism, fetishes and collages influenced by Max Ernst. Much of their art was deeply rooted in the writings of Edgar Allan Poet and Lewis Carrol. Scenography for Czech film was another section. I realized for the first time that surrealist art had been influenced to a great extent by Mannerist trends.

From Through Kafka’s Eyes, graphic art about The Metamorphosis

Through Kafka’s Eyes, Oto Kubín, Brindisi, 1906

In Pilsen I went to an exhibition called Through Kafka’s Eyes, featuring the art that had surrounded Kafka at the end of the 19th century and the beginning of 20th century. I saw posters for Czech art exhibitions in the early 20th century and those advertising 19th century Japanese art as well as works by stellar Czech artists. Paintings by Kubišta, colorful and vibrant, were represented along with sculpture by František Bílek. Czech artists who spent their interwar years in Paris were included, such as Oto Kubín and Georges Kars. Kafka’s own Jewish-themed drawings were a highlight. German art and literature rounded out the intriguing exhibition.

Great Synagogue, Pilsen

Great Synagogue, Pilsen

I also took the time to visit the Great Synagogue in Pilsen, the second largest synagogue in Europe and third largest in the world. On the onion-shaped dome the Star of David stood out. What I admired most was the vaulted ceiling punctuated with blue and gold adornment. Another feature that amazed me was the artistic mastery of the stained glass windows with geometric shapes and figures. The interior is furnished in Oriental style with Neo-Renaissance elements.

Pilsen, U Saltzmannů

We ate at my favorite restaurant in Pilsen, U Saltzmannů, the oldest pub in the city. The Czech food at this establishment cannot be surpassed. I had fried chicken steak this time.

Škoda Museum

In Mladá Boleslav, about 70 kilometers from Prague, I visited for the first time the Škoda Museum, named after the popular Czech automobile manufacturer. The company began making bicycles with Václav Klement and Václav Laurin at the helm in 1895 and soon developed a rich tradition of producing cars. The automobiles on display ranged from vehicles made at the end of the 19th century to those produced in the modern day. I liked the early bicycles, including a two-seater for postal carriers. The cars from the early 20th century were also favorites.

In that same city, we also visited the Aviation museum of Metoděj Vlach, which explored the history of aviation with more than 25 airplanes in the main hall, some hailing from World War I. I saw the 1913 G-III by Gaston and Réné Caudron. It had an open cockpit and 9-cylinder rotary engine. The two-seater wooden plane constructed by the Beneš company called a Be-60 Bestiola featured a 4-cylinder engine and had been flown from 1936 to 1940. The adorable W-01 Little Beetle had been used for airshows in the 1970s.

At that museum, I also learned about the career of pilot Alexander Hessman, who also had starred in a 1926 silent Czechoslovak film. He was the organizer of the Czechoslovak aircraft for the 1936 Olympics. After the Nazi Occupation in 1939, he helped pilots escape with false passports, and he wound up fleeing from the Protectorate to France and then to the USA in January of 1940. After World War II, he returned to Czechoslovakia but fled from the Communist regime, settling in the USA, where he was a technical assistant with PAN AM in New York City.

Mexican mask, Museum of Glass and Jewellery, Jablonec nad Nisou

I traveled several times to north Bohemia this past year. One time I went to Jablonec nad Nisou, where the Museum of Glass and Jewellery was located because of the rich local tradition in these fields. I was immersed in the exotic jewellery of strung and woven glass seed beads by North American Indians, using products from north Bohemia. A mask of the jaguar hailed from the Huichol Indian tribe in Mexico. Glass seed beads from Jablonec nad Nisou were used to make a necklace by the South African Zulu tribe, dated from 1880 to 1900. Jablonec has been the location of the mint for the country’s currency, so many commemorative coins were on display.

I also was impressed by buttons made of glass, metal jewellery and black glass jewellery as well as wooden and plastic jewellery. Colorful handbags, masterfully designed, also made up the collection. The Waldes Museum of Buttons and Pins included more than 5,00 buttons, clasps and buckles with the oldest dating from 9 BC. The Bohemian glass exhibition showed off glass in many styles  ranging from medieval and Renaissance to Empire and Biedermeier to Art Nouveau and Art Deco to modernism and contemporary. The museum also has the largest public collection of glass Christmas ornaments in the world with more than 15,000 objects. I saw ornaments of angels, birds, cats, dogs, Santa Clauses, gingerbread men and much more, all contemporary.

Josef Lada’s Villa in Hrusice

I made my first visit to Josef Lada’s Villa in Hrusice, where that author, painter, book illustrator and scenographer had lived while making some 600 paintings and 15, 000 illustrations. I saw his paintings of idyllic village life featuring all four seasons. Children threw snowballs and make snowmen in a quaint village in one painting while a squirrel was perched attentively on a tree branch, overseeing a tranquil village scene in another. Pub scenes showed humorous drunken brawls. I would have loved to have owned one of the charming cottages depicted in his paintings. I loved the paintings of knights and dragons from fairy tales as well as the paintings representing the months of the year. His paintings of scenes from Jaroslav Hašek’s antimilitaristic, multi-volume classic about the Good Soldier Švejk in the First World War caught my attention. Many of his paintings focused on holiday traditions. I also saw his humorous drawings and caricatures.

From the First Republic of Czechoslovakia

Poster by Václav Ševčík commemorating the day of the invasion by the Warsaw Pact armies, August 21, 1968

In Prague I took advantage of the stunning exhibitions this past year. I went to two excellent shows at Kampa Museum. One featured Czech graphic art from the founding of Czechoslovakia in 1918 to the present. I saw the first star-studded designs for the Czechoslovak flag as well as many political posters from the World War II era through Communist times to the Velvet Revolution of 1989. Václav Ševčík made a poster focusing on the day of invasion of the Warsaw Pact armies into Czechoslovakia on August 21, 1968, when the country’s liberal reforms were squashed. The poster shows a blood-red tear below an eye outlined in black on a white background.

Vítězslav Nezval, Alphabet, with typography by Karel Teige

Kampa Museum, Identity exhibition of graphic art, Cindy Kutíková

Other sections concentrated on magazine and book design. I saw beautiful children’s volumes illustrated by Lada, Josef Čapek and Jiří Trnka. I was drawn to the covers and typography of Karel Teige, an avantgarde interwar artist. The exhibition showcased contemporary times by displaying a colorful, large Quantum Beaded Sweater created in 2020 and 2021 by Cindy Kutíková, for instance.

Václav Tíkal, 1944

Otakar Nejedlý, Waterfall, 1913-14

Another exhibition at Kampa Museum focused on paintings from the private collection of entrepreneur Vladimír Železný, purchased for his Golden Goose Gallery. Called The Goose on Kampa, the show featured 70 paintings representing works from the beginning of the 20th century through the 1960s, such as creations by Toyen, Jiří Štyrský, Špála, Emil Filla, Jan Zrzavý and Mikuláš Medek. One painting that caught my undivided attention was Václav Tíkal’s 1944. A hand partially covered in a ripped black glove showing the fingertips, thumb and part of the palm was emerging out of the frozen, snow-covered earth in a barren landscape.

Otto Gutfreund, Viki, 1912-13 from Cubist period

On that day I also explored the Kampa Museum’s permanent collection, specifically the sculptures of Otto Gutfreund, whose early works can be classified as Cubist. His later creations, made after World War I, featured traits of Civilism, which promoted themes of everyday life.

Bohumil Hrabal, 1952, Tragedy! What a Tragedy!

At the Museum of Czech Literature, I greatly appreciated a small exhibition due to my interest in the works of the late 20th century Czech fiction writer Bohumil Hrabal. The modest show emphasized the artistic relationship and friendship of Hrabal and abstract artist Vladimír Boudník, who created the “Explosionism” style. I was most impressed by Hrabal’s collages from the 1950s. One featured a Singer sewing machine, a naked baby and barbed wire heading into the horizon as white crosses in a graveyard punctuated the picture. It was called “Tragedy, What a Tragedy!”

Oto Kubín, Chapel in Simione, 1926

Maurice Utrillo, Chateau de la Seigliere (Aubusson), 1930

The Wallenstein Riding Stables was the site of an intriguing exhibition about artists from Bohemia residing in Paris between the wars. They were part of the “Paris School,” which featured a variety of styles. Czechs Kars, Kubín (Othon Coubine) and Francois Zdeněk Eberl made strong impressions in the lively, vibrant Paris of the 1920s. The themes of the paintings were many: portraits, cityscapes, street life scenes, café and entertainment scenes as well as a focus on the circus and cabaret. I was drawn to Kubín’s landscapes of Provence. The lavender fields were my favorite. Also represented were foreign artists, including Marc Chagall and Maurice Utrillo.

Hendrick Goltzius, The Four Disgracers, 1588

Also at the Wallenstein Riding Stables, the exhibition “From Michelangelo to Callot: The Art of Mannerist Printmaking showed off more than 200 works of 16th and 17th century graphic art, drawings, paintings, jewelry, etchings, lithographs, ceramics and other artistic crafts that hailed from the Netherlands, Germany, France and the Czech lands. The Louvre lent Prague’s National Gallery many works. Some pieces in the collections were being displayed to the public for the first time. A superb small drawing by Michelangelo drew crowds, and art by Hendrick Goltzius, Paul Bril,  Aegidius Sadeler and Niccolo Boldrini stood out to me.

Painting by Karel Kryl, temporary exhibition at House of the Golden Ring

Karel Kryl giving a concert

On my birthday I went to the House of the Golden Ring near Old Town Square. I saw an exhibition about the late dissident singer and songwriter Karel Kryl, whose music had been poetic, profound and political. He had lived in West Germany during much of the Communist era and had worked for Radio Free Europe. I realized how politically-motivated his songs had been and how he had supported the Poles as well as the Czechoslovaks in their fights for freedom. I was engrossed by his artwork, disturbing and grotesque scenes with one-legged clowns and half-human, half-creature figures.

Pieter Brueghel II

One of my favorite exhibitions of the year, taking place in Kinský Palace, was called “Get on the ice!”, featuring hockey and skating in paintings and other artistic creations. It reinforced the fact that ice hockey and skating have played significant roles in Czech and Slovak identity. I especially was impressed by the works of the Dutch masters who had inspired Czech painting. Pieter Brueghel II’s scene of skating on a pond caught my undivided attention. Czechs first represented skating on the Vltava River and on ice rinks.

Then hockey became the major theme, first portrayed realistically and then in the 1960s expressed in an experimental fashion. I was drawn to František Tavík Šimon’s “Ice Rink Under the Charles Bridge” (1917) with its large falling snowflakes and idyllic, historical setting. One example of the experimentation of the 1960s is Vojtěch Tittlebach’s “Hockey” from 1965, with abstract shapes and simple forms. The players in this painting had no facial traits. Jiří Kolář also added to the experimentation of the 1960s with his “Hockey Sticks,” composed of three wooden sticks decorated with paper collages, many of them maps and some historical scenes. The 1998 Czech Olympic victory at Nagano was celebrated in large photographs, including one that showed the moment Czech Petr Svoboda scored the winning goal while the crowd in Old Town Square erupted in joy.

New Realisms, Karel Čapek from series Cactuses, first half of the 1930s

One-Handed Ice Cream Man, Miloslav Holý, 1923

In Prague I also saw the New Realisms exhibition, which focused on modern Realist trends in Czechoslovak art from 1918 to 1945. The more than 600 works hailed from the Czech and Slovak lands as well as Germany and Hungary. I especially liked Karel Čapek’s photographs of cactuses and his dog Dašenka as this field focused on the everyday during this era. I also liked the many café scenes, realistic portraits of people, magic realism in landscapes, the focus on the societal and economic dilemmas in Czechoslovakia and the depiction of modern labor. I have always been interested in the paintings of Group 42 as their works had an existential quality, often punctuated by telegraph wires and deserted streets.

Francesco Bartolozzi, The Girl and the Kitten, 1787

One of my favorite exhibitions in Prague this past year was called “The Good Cat and the Treacherous One,” featuring cats in graphic art from the 16th to the 18th century. The art shows how some people revered cats while others hated felines. They often symbolized something or were shown for entertainment. Some considered them to be a form of the devil. Others gave them positive religious connotations. I especially enjoyed the Mannerist works by Goltzius and the graphic art by Wenceslaus Hollar, who portrayed cats with both positive and negative qualities. I saw pictures of cats symbolizing maternal love, sight, hearing, devotion, courage, yearning for freedom, foolishness, frivolity, cruelty, greed, treachery, lust and adultery. I also noticed cats as protectors against snakes. A French painting showed how, in 18th century France, cats had epitomized personal and political freedom.

Clam-Gallas Palace

I focused mostly on day trips when traveling this past year. While I visited chateaus, castles and monasteries outside of Prague, I did also become acquainted with the renovated Clam-Gallas Palace in the capital city. The Baroque palace became the property of the Gallas family in the 17th century. The palace has a rich musical and theatrical history as Mozart and Beethoven both performed there during the late 18th century. The colossal exterior portal is decorated with statuary by Baroque master Matyáš Bernard Braun, and he also created the fountain portraying Triton.

Murano chandelier in Clam-Gallas Palace

The many monumental frescoes amazed as did the chandeliers, especially the 19th century chandelier made of Chinese porcelain cups, saucers and vases. Frescoes depict the triumph of Apollo and gathering of the gods on Olympus, for instance. Allegorical figures representing sculpture, architecture and painting stand out in another fresco. I was very impressed with the former office of the first Czechoslovak Minister of Finance, Alois Rašín, though it was sparsely furnished. He had tried to gather support for the creation of Czechoslovakia during World War I and had even been imprisoned for taking part in the resistance. Rašín was assassinated in Prague during January of 1923 by a 19-year old anarchist.

Bohumil Hrabal’s cottage in Kersko

Kersko near Prague is one of my favorite tranquil spots in the country, a village where Hrabal resided from the 1960s until his death in 1997 and where he fed many feral cats daily. Hrabal’s two-story cottage opened to the public for the first time this spring. I saw the garden where he wrote some books and the charming enclosed terrace where he composed his works when weather did not permit him to spend time in his garden. I saw the chair in which Hrabal wrote his last literary piece, during 1995. The top floor was adorned with many paintings – a moving portrait of Hrabal by Jan Jirů, a drawing featuring heads of Hrabal from his youth to old age in a rendition by Jiří Anderle. Another portrayed cats on chairs in a forest setting along with Hrabal himself. Portraits of his family and a collage focusing on one of his books also caught my undivided attention. The place captured the soul of Hrabal, and I was very moved.

In the local shop, known for its ceramic figures of cats, there was an exhibition of drawings of Hrabal – at the pub, in Heaven, in Kersko, each rendition celebrating the author in a creative way. We ate at my favorite restaurant outside of Prague, Hájenka, a prominent landmark in Kersko. Whether I chose the chicken with cheese sauce, the meat with dumplings or the fried chicken steak, I was always delighted by the meal in a rustic, charming atmosphere.

Mariánská Tynice complex

I traveled about 35 kilometers north of Pilsen to pay a second visit to the High Baroque complex with pilgrimage church Mariánská Tynice, an aerial constructed by renowned architect Jan Blažej Santini during the 18th century, using geometric forms such as quadrangles and triangles as features of his Baroque Gothic style. The church with a Greek cross plan had an impressive illusionary main altar of the Holy Trinity while the east and west ambits were constructed with open arcades featuring eight chapels. The masterful painting on the vaulting and walls celebrates the lives of the Virgin Mary and Cistercian saints. The cupola of the church is lit by eight windows.

Frescoes on the walls and vaults of the ambits

Part of the complex was the Museum and gallery of the North Pilsen region. I liked the Gothic altarpieces and Baroque paintings as well as the 19th paintings of pilgrimage sights. The reconstruction of rooms resembling 19th century and early 20th century village life included a classroom, a countryside chapel and a pub.

Museum of the High-Rises, Kladno, ceramic tile on the facade

Gas masks in the nuclear bunker of the Museum of the High-Rises

In Kladno near Prague, I toured the Museum of the High-Rise, which was located in one of the six Rozdělov high-rises designed by Czech functionalist architect Josef Havlíček in the 1950s. He received acclaim during the interwar years as a member of the avantgarde and studied under Cubist architect Josef Gočár. The façade of the 13-floor building was created from ceramic material, and on that particular high-rise were ceramics of a cat and a dog. There was a small museum in one basement floor. We also visited the nuclear bunker, complete with numerous gas masks and many hard benches. The big rooftop terrace was a prominent feature for that time period. In the representative flat for the higher-ups, we saw 1950s furniture and a balcony. The flat measured about 65 meters squared, quite a luxury in that day and age.

Humprecht Chateau

View from Humprecht Chateau

I also visited many chateaus within a two-hour distance of Prague. Seventeenth century Humprecht Chateau in the central Bohemian Paradise region had an elliptical shape. Much of the interior featured hunting themes. I saw paintings of Venice, Biedermeier bookcases in the two libraries of about 4,000 volumes, a black kitchen with an original fireplace and utensils from the 17th century. The main hall featured four frescoes from the 1930s, showing scenes from the life of the Černín family, the long-time owners of the chateau. Baroque furniture decorated several rooms. The picture gallery includes works from the 17th century. What I liked best about the chateau were the panoramic vistas from the top floor.

Volman Villa

Also, not far from Prague, the newly reconstructed Volman Villa, a large, geometric functionalist structure built from 1938 to 1939, featured big terraces, a circular driveway, a monumental winding staircase and outer stairs that lead to a bridge heading into the building. It is possible to access the terrace from each spacious room. Volman used exotic materials such as travertine and marble for the construction. The marble bathrooms with beautiful pink and light blue bathtubs were vast. While there are now many trees obstructing the view, at one time it was possible to see the Labe River in the 40-hectare English park.

Grabštejn Castle, Chapel of Saint Barbara

I visited several castles and chateaus in north Bohemia – Grabštejn Castle, Jezeří Chateau and Červeny Hrádek Chateau. I was shocked at the vast improvements made during the reconstruction of Grabštejn and Jezeří as I had last visited the two about 20 years ago. Grabštejn, originally a 13th century castle, took on the structure of a Renaissance chateau in the 16th century. The 16th century Chapel of Saint Barbara featured exquisite vaulting and wall painting that included 13 apostles. One tour featured the 18th century administrative offices that made up the castle interior during that time period while another showed the rooms of the nobility, including a gigantic wall painting with chateau-like gardens and fountain. I saw furnishings and artifacts from the 16th to 19th centuries.

Jezeří Chateau, painting by Carl Robert Croll

While only a few rooms of Jezeří Chateau were opened about 25 years ago, now there are about 10 impressive spaces on the tour. I loved the paintings of Carl Robert Croll, renditions which showed the interior of the chateau during the early 19th century. I was especially impressed with the room dedicated to Jan Masaryk, the son of the first president of Czechoslovakia and once the Minister of Foreign Affairs. He was thrown out a bathroom window at the Ministry of Foreign Affairs by the Communists after the 1948 coup. The Winter Garden was light and airy, punctuated by much greenery. The lavish Theatre Hall included sculptural and stucco adornment as well as an original fireplace. The paintings throughout were impressive, too.

Červený Hrádek, Knights’ Hall

Červený Hrádek dated back to the early 15th century and gets it current appearance from the 17th century. The Knights’ Hall from that era included lavish sculptural decoration with medallions featuring battle scenes and exquisite crystal chandeliers. Other spaces harkened back to the 18th and 19th centuries with period furnishings. Seventeenth century sculptor Jan Brokoff created sculptures, fountains and vases that decorated the monumental staircase. The English style park was beautiful, too. In August of 1938 the Sudeten Party leader Konrad Henlein and English Lord Walter Runciman had a meeting there, shortly before the Munich Agreement was signed.

Dobříš Chateau Park

Dobříš Chateau Park

Because the interior had been recently renovated, I returned to Dobříš Chateau not far from Prague. I was disappointed there were not as many rooms decorated with period furniture. Instead, the self-guided tour mostly featured spaces celebrating the Colloredo-Mansfield family’s accomplishments, which were very intriguing and noteworthy, to be sure. Still, I missed the longer, guided tour and former exciting interior décor of the Rococo and Classicist eras. The Writers’ Room remained on display, decorated the way the space would have looked when the chateau belonged to the Writers’ Union from the 1950s to the 1990s. It was possible to enter one side of the spectacular Hall of Mirrors, although it was roped off and walking through the room was not permitted. The fresco-filled hall amazed with 18th century décor and eight Venetian chandeliers as well as monumental fireplaces.

Illusionary painting on the orangery in Dobříš Chateau Park

The park, measuring nearly two hectares, was the reason to visit the chateau. On that sunny summer day, it was spectacular to stroll through the Rococo style park established in the 1770s. It had five terraces, a fountain with astounding Baroque sculptural grouping and an orangery with illusionary wall painting.

Slatiňany Chateau

Interior of Slatiňany Chateau

I traveled to Slatiňany Chateau for the second time and noted the prominent hunting and horseback riding themes. The Auerspergs held on to the chateau for 200 years and were responsible for the charming interior. I loved the exquisite canopied beds decorated with religious paintings. The tapestries were another delight. In the Big Dining Room I admired a large painting of hunters and their dogs getting ready for the hunt as well as a stunning 18th century Murano chandelier.

Vienna, Albertina, Monet, Waterlillies, in the permanent collection

I had many exciting adventures traveling in 2024 and had many impactful experiences at art exhibitions in the Czech Republic, Germany and Austria. Every time I go on a trip or to an art show, I come away changed, with a sharper perspective on life and with more enthralling knowledge.

Albertinum, Dresden, Hans Grundig, The Thousand-Year Empire, in the permanent collection

Tracy A. Burns is a writer, proofreader and editor in Prague.

Jezeří Chateau Diary

Painting of Jezeří by Carl Robert Croll

From the chateau interior

The first time I visited Jezeří Chateau was around the year 2000, about four years after it had opened to the public. While the chateau dominating the mountainous landscape appeared impressive from afar, up close it had looked derelict, as if it was about to collapse. The tour had covered only several rooms because much of the structure was under reconstruction. I left Jezeří feeling sad that a chateau with such promise had been derelict for so long. I wondered if the state would ever be able to make the chateau presentable again as so much rebuilding was necessary.

Now, 24 years later, I went back to the chateau situated in the Ore Mountains near the German border. About 10 rooms were open to the public, and they were impressive. I especially loved the paintings of Carl Robert Croll and the room where former Minister of Foreign Affairs and son of the first Czechoslovak President, Jan Masaryk, had stayed overnight. Spaces that had once succumbed to a sad plight now impressed, many harkening back to the golden days of the chateau.

The main facade of the chateau

But it is necessary to start at the beginning and get to know Jezeří’s history and suffering throughout years of dilapidation before touching upon the current appearance. To appreciate Jezeří fully, one has to be aware of the chateau’s journey, a long and winding one that overcame many obstacles.

Atlantis statue on main portal of the chateau

Jezeří Chateau dominates the landscape as a Baroque structure in the Ore (Krušné) Mountains of north Bohemia. It had been transformed from a Gothic castle called De Lacu (from the lake) to a Renaissance chateau by the Hochhauser family and finally to its Baroque appearance today. It was first mentioned in writing as a Gothic castle in the 1360s. The Thirty Years’ War  brought much damage and destruction.

Statue of a dog above the main courtyard of the chateau

Then, in 1623, Vilém the Younger Popel Lobkowicz bought it, and the Lobkowicz name would punctuate the chateau’s history for centuries. Under Ferdinand Vilém Lobkowicz, from 1647 to 1708, extensive reconstruction took place. The property included 500 hectares. A hall replete with grandeur showed off oval vaulting, stucco decoration and large columns while a new richly decorated dining room sported a beautiful ceiling. Rooms were adorned with frescoes. The garden showed off fountains and cascades. A zoo was on the premises. However, all good things came to an end when a fire that could not be extinguished ravaged the building during 1713.

During 1722 the chateau passed into the hands of the Roudnice branch of the family. Jezeří would come to life again when reconstruction occurred during the 18th and 19th centuries. Jezeří flourished, filled with frescoes and paintings by masterful artists. The English style garden included an artificial grotto and lavish statues. The H-shaped chateau became a center for musical and theatrical events during the Baroque and Classicist eras as famous guests visited its renowned theatre.

View of oratory of chateau chapel

Owner Maxmilián had opera singers visit from ensembles in Vienna and Dresden. Beethoven was friends with Prince František Maxmilián. The first private performance of Beethoven’s third “Eroica” Symphony, which the composer had dedicated to František Maxmilián, took place here. It also was the site of the first private performance (1797) of Haydn’s Creation. My favorite symphony by Beethoven, his sixth (the Pastoral), was also dedicated to Prince Lobkowicz.

Sculpted heads with facial expressions adorn the Theatre Hall.

Another sculptural decoration in the Theatre Hall

At the time, vast Jezeří was buzzing with excitement in its 114 rooms and numerous smaller spaces. The English gardens and park were Baroque in style and showed off statues of mythological figures, greenhouses, pavilions, an artificial waterfall, terraces with magnificent views and an arboretum.

Painting of chateau interior by Carl Robert Croll

In the early 19th century, the prominent painter Carl Robert Croll created canvases for the Lobkowiczes, and his renditions of the chateau’s exterior and interior are magnificent. His “Winter Garden” from 1841 portrayed a light and airy room with many plants and windows, white walls and blue-upholstered furniture. The painting “The Big Salon,” created that same year, showed children dancing and men immersed in a game of billiards. Croll’s work “Smaller Salon at Jezeří” focuses on women and girls chatting and ordering tea or coffee. Croll painted the exterior of the chateau at night, presenting it as mystical and magical.

A painting of the chateau landscape by Carl Robert Croll

During the existence of The First Republic of Czechoslovakia, Jezeří was under the guidance of JUDr. Maxmilián Ervín Lobkowicz (1888 – 1968). Maxmilián served as a Czechoslovak diplomat and during World War II held the post of Czechoslovak Ambassador to Great Britain as he played a major role in the anti-fascist movement with the government-in-exile in London.

After he went into exile in 1938, Nazi soldiers took control of the chateau, and during 1943, a prison camp for Poles, Russians, French and out-of-favor German soldiers was situated on the property. Among the prominent figures incarcerated there was Pierre de Gaulle, brother of former French President Charles de Gaulle.

Jan Masaryk, Minister of Foreign Affairs and democrat

Maxmilián Lobkowicz returned after the war, and his good friend Jan Masaryk, then Czechoslovak Minister of Foreign Affairs, visited Maxmilián there on several occasions. However, Jan Masaryk would be shoved out a bathroom window by Communist officials at the Ministry of Foreign Affairs in Prague and fall to his death. The totalitarian regime categorized it as a suicide.

Times would change for the worst as Maxmilián and his family had to go into exile during 1948, carrying with them only a few belongings. The Communist coup had taken place, forcing the lifelong democrat Maxmilián to flee once again. At this time, the chateau was deteriorating.

Jan Masaryk, son of the first president of democratic Czechoslovakia

Jezeří certainly did not get a pretty makeover during the following decades. On the contrary, in 1950 the Czechoslovak army took over Jezeří, and the interior was destroyed. Then, five years later, the Ministry of the Interior used the building. Several other institutions were situated there in subsequent years, and times were definitely not rosy. The place was often vandalized until 1960. Jezeří Chateau became a cultural monument in 1963, though its condition did not improve. At the end of the 1960s and in the 1970s, extensive mining took place on the grounds. During the 1970s and 1980s, there was talk of tearing Jezeří down because the structure was not deemed safe due to the mining activities.

The chateau had been surrounded by intensive coal mining for centuries. Mines with dams and ditches punctuated the Ore Mountains. The mining history harkens back to the 16th century, and though it was halted for a while after the Thirty Years’ War of the 17th century, mining activities returned with a vengeance during the 19th century due to the discovery of cobalt blue and uranium in the mountains. During the first and second world war, much mining took place in the Ore Mountains. Then, after the Soviets took control of Czechoslovakia, the Ore Mountains were used as a source of uranium ore, but it was all kept hush-hush. The beautiful forests were destroyed under Communist rule. Jezeří didn’t even appear on maps anymore.

After the Velvet Revolution of 1989 that triggered the end of Communist rule, the Lobkowiczes got the chateau back in restitution. In 1991, the state declared the chateau a protected cultural monument. However, the chateau was in such bad condition that the Lobkowiczes were not able to do the necessary repairs because it would be so costly. In 1996 Martin Lobkowicz gave the chateau to the state. Repairs began, but it would be a long journey before the chateau appeared in a decent state.

The artwork in the chateau is superb.

During 1996, one room in the chateau was open to the public. When I visited in 2000, more rooms were accessible, but there was a lot of reconstruction taking place. Back then, I felt a sense of profound sadness because the necessary reconstruction would take years to accomplish. Yet hope and determination won out. The chateau continued to be painstakingly restored, and finally part of the first floor and a section of the second floor were on display for visitors. It was made a national cultural monument in 2022.

The chateau Theatre Hall

The stunning balustrade of the Theatre Hall

Now visitors can admire the renovated, lavish Theatre Hall with its original fireplace and stucco decoration. Heads of figures with various theatrical expressions decorate the walls. The cupola is impressive as is the balustrade above. Concerts are held here, reviving Jezeří’s musical tradition.

The Winter Garden today

The Winter Garden was renovated to look like it did in Carl Robert Croll’s paintings, and it is a tranquil, comfy place full of greenery. I would love to have tea in that soothing space.

Paintings throughout the chateau are intriguing with Carl Robert Croll’s works showing a stunning chateau interior and exterior at the beginning of the 19th century. Many other artworks are impressive, too. Three pianos are on display. The vaulting and stucco ornamentation in rooms is intriguing to say the least.

Jan Masaryk’s room at the chateau

Jan Masaryk’s room at the chateau

My favorite room is the one dedicated to Jan Masaryk. Seeing his room at the chateau made me imagine his visits with the Lobkowiczes during the chateau’s better days. The portraits of Jan Masaryk across from the room brought to mind Masaryk’s fierce fight for democracy and his tragic fate. I remember, during a tour of the Ministry of Foreign Affairs, being shown the bathroom window from which he was shoved to the hard ground outside.

Bust of Tomáš Garrigue Masaryk, first president and Czechoslovakia and father of Jan Masaryk

Twentieth century coffee and tea set in Jan Masaryk’s room at the chateau

I see Jezeří Chateau as a symbol of hope, of the determination that can painstakingly change a monument considered for demolition into an edifice with an intriguing interior that impresses visitors. There is still much reconstruction going on, but Jezeří continues to develop – slowly but surely. I was glad I had been able to witness so many positive developments.

Handpainted toilet in the chateau

Tracy Burns is a writer, proofreader and editor in Prague.

View from the chateau

Lány Diary

From TGM Museum, Lány

This was my third or fourth trip to Lány, a town about 35 kilometers west of Prague near the Křivoklat forest. I loved going to Lány to pay tribute to the first Czechoslovak president, Tomáš Garrigue Masaryk and his family. I came by car this time, accompanied by a friend. First, I went to the TGM Museum, which told the story of Masaryk’s life and career. Then we went to the cemetery where Tomáš Masaryk and three members of his family are buried. After that, we strolled through one of my favorite chateau parks, part of the president’s summer residence. Masaryk had spent a lot of time in that majestic park and had died in the chateau.

Czechoslovak soldiers during World War I, from TGM Museum, Lány

First, the museum: I had been there once before and loved refamiliarizing myself with the history of the First Republic. If I could go back to any time in the past, I would travel to 1920s Czechoslovakia. The country was new, off to a fresh start as a democracy.

Besides exhibits relating specifically to Masaryk, the museum is home to period furnishings and paintings of his family members. There is a section devoted to the first World War, when he set up legions fighting in Russia as part of the French army, doing battle against the Habsburgs. First, we saw photos of Masaryk in a special exhibition. Then we went into the main part of the museum.

A philosopher, scholar and politician, Masaryk founded Czechoslovak democracy. He believed that small nations played a significant role in Europe and in the world. He also touted individual responsibility and religion as a source of morality. Masaryk came from humble beginnings. His father had been a Slovak carter, later a steward, while his German-Moravian mother had worked as a cook. At a German high school in Brno, Masaryk saw for himself the fraught tension between high-class Germans and oppressed, lower-class Czechs. He later concentrated on philosophy at the University of Vienna. While he was studying in a year-long program in Leipzig – a city I had loved visiting several years ago -, he met an American from Brooklyn, Charlotte Garrigue, and they were married in the USA during 1878. (I named my late cat the Czech version of Charlotte, Šarlota, after the first First Lady of Czechoslovakia. My cat died suddenly in July of 2021 at the age of 11.) Tomáš took his wife’s last name as his middle name. They had five children, and their son Jan later became a prominent politician whom Communists pushed out a bathroom window, killing him.

Tomáš Masaryk was a university professor and a writer. He penned books about the deplorable conditions in Russia after visiting that country and in another grappled with the causes of suicide. His writings centered on politics as well.

A wall of the museum took up the theme of the scandals that had scarred the public opinion of Masaryk. He proved that epic poems, which supposedly dated from the Middle Ages and appealed to Czech nationalists, were forgeries. These nationalists branded Masaryk a traitor. Then, a Jewish man named Leopold Hilsner was sentenced to death for ritual murder. Masaryk insisted that the trial had been anti-Semitic. Hilsner was given life imprisonment instead of the death penalty. Not all Czechs approved of Masaryk’s participation in this case, and the Masaryk family experienced anti-Semitic attacks.

An exhibit showing advertisements during the First Czechoslovak Republic

A section of the museum described Masaryk’s role during World War I. While Masaryk had fought for reforms with Austro-Hungary before the war, during World War I he became convinced that Czechs and Slovaks needed independence rather than autonomy. Masaryk was head of the government-in-exile in London. During a trip to the USA, he convinced President Woodrow Wilson that Czechoslovak independence was vital. Czechoslovakia was created October 28, 1918.

Pictures of the Masaryk family in the TGM Museum

Then there were the many exhibits about his presidency. Masaryk abdicated during his fourth term in office due to health reasons, after 17 years as head of state. During his presidency, the country was a democracy with all citizens equal, and minorities had rights to maintain their national identities. Freedom of the press and universal suffrage were other features. However, the country was not without its problems. German-Czech tensions and Slovak calls for separatism were two of the issues that caused him great concern.

Furnishings from the First Republic, TGM Museum, Lány

After his reelection in 1920, the country flourished, especially economically. However, personal tragedy hit the Masaryk family. His wife died in 1923. Three years into his third term, in 1930, he turned 80, and ideologies of Communism, Fascism and Nazism had infiltrated the democratic country. During 1934, he was elected for a fourth term, yet his time in office was riddled with health problems. He resigned in 1935 and died at Lány on September 14 that year.

Statue of TGM in front of the museum

After admiring a statue of Masaryk outside the museum, we went to the cemetery, where simple slabs marked the graves of Masaryk and his wife Charlotte, son Jan and daughter Alice. The small grassy area was roped off. It was a modest yet eloquent commemoration to lives that had upheld democratic values even during troubled times.

I reflected on Masaryk lying in state at Lány. About 60,000 citizens came to pay their respects. When his wife died in 1923, thousands of Czechs paid homage to her by going to Lány chateau as well.

Modest graves of Tomáš G. Masaryk and three members of his family

I thought about Tomáš Masaryk’s funeral in Prague. Black flags had fluttered from downtown buildings. Busts and pictures of Masaryk had dotted the town and covered the front pages of numerous newspapers. Black banners reading “TGM” had adorned Saint Vitus Cathedral and buildings on Wenceslas Square. Thousands of soldiers and legionnaires had marched in his funeral procession September 21 as 146 military standards appeared. Draped with the Czechoslovak flag, his coffin was carried on a gun carriage through the city. On its last leg to Lány, the coffin had traveled by train, placed in a car covered in wreaths and flowers.

The headstones of the graves of Tomáš Garrigue Masaryk and his wife Charlotte

I remembered seeing that gun carriage at a temporary exhibition in a Prague gallery a few years earlier. I recalled watching Václav Havel’s coffin travel by me while I waited on an Old Town Street in December of 2011. I was huddled in my LL Bean winter coat on that dark, dismal morning as the coffin made its way toward Prague Castle. My hero was dead; my heart broken; my mood solemn. I thought that it was the same way I would have felt if I had seen Masaryk’s funeral procession.

From the cemetery we made our way to a restaurant on a square, where I ate fried chicken steak and ice cream on that sunny May afternoon of 2021. We ate outside to be safer from coronavirus infection.

The next and last stop was much more upbeat – Lány Chateau, the summer residence of Czechoslovak and Czech presidents since 1921. While the residence was not open to the public (with several exceptions), the beautiful park was. I first set foot in this park during the summer of 1991, when I was a tourist seeing Prague and its environs for the first time.

That trip during the summer of 1991 was magical – walking through the Old Jewish Cemetery, gawking at Old Town Square with its superb architecture, making my way to Prague Castle via the Charles Bridge, where Russian soldiers sold their uniforms and fur hats. On the way, I walked up Nerudova Street, where, in a photography store, I found some prints of President George H.W. Bush with Václav Havel during that historic visit in 1990. There were also discounted posters of Gorbachev, but I wasn’t interested in buying one. Saint Vitus Cathedral had amazed me. On Golden Lane, a place in legends dating back to Rudolf II’s era, I got my picture taken with a man I had met on the train from Berlin to Prague. We were smitten with each other. Yet, we would part our separate ways a few days later, never contacting each other again. Life somehow had gotten in the way. I visited Karlštejn Castle, Konopiště Chateau, Hluboká Chateau, Kutná Hora and so many other places during that trip. Prague had felt like my true home, and the park in Lány was so special in my heart.

By this time, I knew the history of the chateau well. There was a structure here before 1392, when it was first mentioned in writing. Late in the 16th century, that edifice became a Renaissance keep. Rudolf II acquired the property in 1589 and did much hunting on the grounds at the game reserve. During the Thirty Years’ War, Swedish troops had occupied the residence. After Rudolf II acquired it, the residence was state-owned for 100 years. In 1685 Arnošt Josef Wallensteain bought it. When his daughter got married, the chateau and surrounding land became the property of the Furstenberg family and stayed in their possession until the state bought it in 1921. Then the chateau was modernized. Masaryk had the balcony built. During Ludvík Svoboda’s presidential term, the game reserve had been open to Western tourists, but later it was closed off again. Many other renovations had taken place throughout the decades. The chateau had been in poor condition after Gustav Husák’s tenure, when the Communist regime was toppled in 1989. Under Václav Havel and Olga Havlová – after whom I had named one of my cats – the chateau had been totally reconstructed into a beautiful work of art and architecture.

Near the park we perused the obelisk that Slovenian architect Josip Plečník had erected during Masaryk’s era to commemorate fallen soldiers during World War I. In the park I felt at home, so comfortable as if I was meant to be there, basking in the sun near the greenhouse or taking in the many landmarks. This was one of the few chateau parks that made me see not only the beauty around me but also the beauty inside me. The other park that gave me this feeling was at the chateau in Opočno in north Bohemia.

I loved the two ponds. One landmark that impressed me was a lion-headed fountain made by Plečník, who had superbly decorated parts of Prague Castle, too. With five Dorian colums and five lions’ heads, the fountain symbolizes the five lands of Czechoslovakia. Water from the five heads flows into a sixth head that spouts the water into the pond, symbolizing the unity of newly-formed Czechoslovakia.

Across the Masaryk stream I saw three bridges constructed in a simple design by Plečník. I remember visiting Plečník’s studio when I was in Ljubljana.  Communist president Klement Gottwald had contributed to the park as well. He had a small cottage with fairy-tale elements built for his grandson. There were also beehives from Masaryk’s era, again designed by Plečník. The Furstenbergs, who had owned the land with chateau for several centuries, were responsible for setting up the greenhouse. Three benches celebrated more recent events. One commemorated the Višegrad Four conference hosted in Lány in 2006, when Václav Klaus was the Czech president. Another was donated by Livia Klausová, a former First Lady, in 2012. The third was donated by current President Miloš Zeman. The Riding Stables were built in Neo-Gothic style during 1861.

We walked along the main chestnut-lined path and took in the various perspectives of the yellow, Baroque chateau. I knew something about the interior, even though it was not possible to go inside. The Blue Dining Room was decorated in Third Rococo from the beginning of the 20th century. The bright yellow wallpaper in the Yellow Salon harkened back to Husák’s era. After the Velvet Revolution, five Renaissance painting of Habsburg archdukes as children had been installed. There was a beautiful marble fireplace surrounded by superb woodcarving in the library. Masaryk’s Salon includes, thanks to the Furstenbergs, furniture made from black pearwood.

During Masaryk’s tenure, there was a movie theatre at the chateau where locals could watch the latest talkies. The films of Vlasta Burian, a comic actor whose work I knew well, often were projected there. This was where the Lány Agreement promoting cooperation between Austria and Czechoslovakia had been signed in December of 1921. So many presidents and dignitaries had graced the halls of that chateau.

I tried to imagine Masaryk riding his horses through the park. At Lány Masaryk had written many of his books and had met with legendary Czech author Karel Čapek to put together the nonfiction work Conversations with TGM. During the Nazi Protectorate, Emil Hácha had called the chateau home. I tried to imagine the Protectorate flag fluttering from the tower during the second World War. I recalled that Gottwald had tried to do away with all the monuments at Lány that were associated with Masaryk. There had been an assassination attempt on President Antonín Zápotecky in 1953, as a bomb went off under his car. One of the town’s inhabitants was killed in the blast. During Havel’s presidency, I used to love to listen to his Conversations from Lány radio broadcast.

The chateau and park made me think about Masaryk’s era and Havel’s 13 years as president of Czechoslovakia and of the Czech Republic. After spending some time enjoying the sights in the park, it was time to go back to Prague. It was our first trip of the 2021 chateau and castle season, and it would always be one of the best ever.

Tracy A. Burns is a writer, proofreader and editor in Prague.

My late cat Šarlota, named after Charlotte Garrigue Masaryk

Czech Personalities in History Diary

The following is my own personal list of Czechs who, throughout the centuries, have contributed in a positive way to Czech culture, art, politics and other fields. There are many people I left out because I do not feel they played a positive role. Others I simply forgot and will have to add at a later date.

Tomáš Baťa (1876 – 1932)

Born April 3, 1876 in the southeastern Moravian town of Zlín, Tomáš Baťa became a leading entrepreneur in a family that has received accolades for its long and impressive history in shoemaking. The Bata clan began making shoes as early as 1667. Not only did he found shoe factories throughout the world, but he also was the Zlín’s major from 1923 to 1932. He was responsible for transforming Zlín into a modern city, building schools, for example. He was greatly improved the educational system, too. Even though Baťa died in a plane crash during 1932, the company Baťa Shoes remains successful to this day.

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Edvard Beneš from TERAZ.sk

Edvard Beneš (1884 – 1948)

Beneš served as second president of Czechoslovakia from December of 1935 to October of 1938, when he resigned, convinced that the Munich Agreement was unfair. He became president of the Second Republic during June of 1946. Beneš asserted that the Sudeten Germans were collectively responsible for the destruction of independent Czechoslovakia, and he instigated the Beneš decrees, which involved confiscating the property of Germans, traitors and collaborators, taking away their Czechoslovak citizenship and expelling them from the country. Beneš also was the first Czechoslovak Minister of Foreign Affairs when Czechoslovakia was founded during 1918: He held the post of Prime Minister for a year and served as a Member of Parliament for a lengthy period. Beneš was very active in the fight for Czechoslovak independence during World War I and in the resistance movement during the Nazi Occupation.

Karel Havlíček Borovský (1821 – 1856)

Often referred to as the founder of Czech journalism, satire and literary criticism, Karel Havlíček Borovský was not only a journalist and critic. He also penned poems, was active in politics and worked as a publisher. His book Pictures from Russia presented the first Czech objective view of life in that country during that particular era. He established the first Czech daily newspaper, Národní noviny, known for its liberal viewpoints. Borovský was by no means a fan of the Habsburg Empire. He was tried several times for his sharp criticism of the monarchy. Borovský was expelled from the Czech lands and then lived in the Tyrol for almost four years. Though a pragmatist, he also supported universal suffrage. For a short time he served with the Austrian Empire’s Constituent Assembly but then opted to focus on journalism once again. He also translated works by Gogol and Voltaire into Czech. His book Tyrol Laments describes his arrest and subsequent expulsion to the Tyrol with humor and satire. He also is known for his poem “King Lavra,” a piece punctuated by allegory and satire.

Petr Brandl (1668 – 1735)

A leading Baroque painter in Bohemia, Petr Jan Brandl created emotional paintings using strong chiaroscuro. His works feature a powerful, passionate movement of colors, dramatic tension and a distinct tenderness.  He authored more than 60 paintings and numerous drawings, all of which are scattered throughout Bohemia from Chyše to Hradec Králové, Prague to Litoměřice and Kutná Hora to Kuks, for instance. Prague’s National Gallery even has an entire hall filled with his paintings, including his famous “Simeon with the Baby Jesus.”

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Vlasta Burian from ceskatelevize.cz

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Vlasta Burian from revue.idnes.cz

Vlasta Burian (1891 – 1962)

Nicknamed “The King of Comedians,” Burian was a film and theatre actor, director, singer, writer and mime, for instance. During the First Czechoslovak Republic (1918 – 1939) his popularity soared. After the war he was wrongly accused of collaboration with the Nazis. He started out in cabarets and later established his own theatre, where he worked from 1925 until May of 1945, when it was nationalized. During 1944 the Germans closed his theatre for a while and after the war he was imprisoned twice. When he was freed, he found himself destitute. His villa in Hanspaulka and almost all his property and belongings had been taken away from him. He had to do manual labor working in the mines, for instance during a five-year ban when he was not allowed to act. He returned to acting, but the stints in prison had taken a toll on his health. He had to act even when he was ill for financial reasons. From 1923 to 1956 he made four silent films and 36 with sound. He was known for his improvisation, black humor and satire as well as his uncomplicated humor. He played roles of people in many professions. During 1994, he was rehabilitated. In 2002 his grave was moved from the cemetery in Prague’s Vinohrady to the famous Vyšehrad Cemetery, where Czech national figures rest.

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Bust of Jára Cimrman

Jára Cimrman (Born during a freezing February night between 1854 and 1872 – ?)

The 15 plays in the repertoire of the Jára Cimrman Theatre revolve around the fictional, unlucky outsider and genius Jára Cimrman, who lived in the Austrian part of the oppressive Austro-Hungarian Empire, during an era of Germanization when the Habsburgs were on the throne. Voted the Greatest Czech in a poll during 2005, Cimrman was a Czech nationalist who abhorred the Habsburg regime. Cimrman was a man of all trades – a seasoned traveler, prolific writer, collector of fairy tales, philosopher, filmmaker, gynecologist, dentist, teacher and criminologist, among others. While serving time for making fun of the emperor, he formed a choir and orchestra with his fellow prisoners and organized contests in Morse Code. His many inventions and accomplishments were only brought to light in 1966, when Zdeněk Svěrák (who co-authored the plays with Ladislav Smoljak) and his relative come upon Cimrman’s bust and papers at Liptákov 12, in a cottage in a village of the north Bohemian Jizera valley. His parents, an Austrian actress and a Czech tailor, forced him to wear girls’ clothing until he was 15 years old. The plays are laced with the typically Czech sense of humor that has allowed Czechs to survive a past riddled with oppression. All the plays take place around the turn of the 20th century, with the last one focusing on Cimrman’s life during World War I.

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Josef Čapek from Muzeum bratří Čapků

Josef Čapek (1887 – 1945)

Karel Čapek’s older brother, Josef made a name for himself as a painter, writer, journalist, photographer, graphic artist and book illustrator. He authored books with his brother early in their careers, including the play From the Life of Insects. Josef also wrote books without his brother, such as a mystery and some art-related works. He was a Cubist painter who utilized simple, geometric shapes and severe lighting contrasts. He was very inspired by “primitive” art and often rendered members of the lower class in his creations. A supporter of democracy, Josef was arrested by the Gestapo on September 1, 1939 and then spent the next six years in concentration camps. He died shortly before the Germans lost the war. His symbolic grave is at Prague’s Vyšehrad Cemetery.

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First President of Czechoslovakia Tomáš G. Masaryk with Karel Čapek

Karel Čapek (1890 – 1938)
The most versatile and perhaps most prominent writer in Czech history was a true Renaissance man –he was a playwright, novelist, feuilletonist, travel writer, story writer, journalist, children’s author, biographer, essayist, illustrator, photographer and translator. In the early years he often collaborated with his brother Josef, an accomplished artist in his own right. Karel Čapek argued that each person has his or her own truth, showed many perspectives of reality and criticized modern society. His writings also expose fears of Fascism, describe everyday events and warn against the abuse of technology. His works include Tales from One Pocket and Tales from the Other Pocket, War with the Newts, The Gardener’s Year, The Makropulos Thing, From the Life of Insects and R.U.R., a play which first used the word “robot.” He is buried in Prague’s Vyšehrad Cemetery.

Miloň Čepelka (born 1936)

A brilliant actor, Čepelka is best known for his roles in the plays of the Jára Cimrman Theatre, where he has graced the stage for half a century. The former teacher and reporter with Czech Radio dazzles the audience in plays such as Hospoda Na mýtince (The Glade Tavern), České nebe (Czech Heaven), Akt (The Nude) and Cimrman v říší hudby (Cimrman in the Paradise of Music), for instance. His singing in Cimrman v říší hudby is extraordinary. In Vražda v salonním coupé (Murder in the Parlor Car) he teams up with his son, who is also an actor. His biography Nedělňátko was published in 2016. He is also an accomplished poet and prose writer.

David Černý (born 1967)

A rebel artist, Černý never fails to spark controversy with his shocking and provocative creations set in public areas. He has painted a Soviet tank pink and designed male figures that urinate into an enclosure shaped like the Czech Republic, for instance. His 1997 creation “Hanging Man” consists of a 220-centimeter Sigmund Freud hanging by one hand onto a roof of a building on Prague’s Husova Street. In the main passage of Prague’s Lucerna Palace, his 1999 “Horse” shows Saint Wenceslas on an upside-down horse. Located in a courtyard in front of Prague’s Quadrio shopping center near Národní třída, his monumental installation of the head of Franz Kafka, also referred to as The Metamorphosis, consists of 42 moving layers that rotate 360 degrees and occasionally align to resemble Franz Kafka’s head. Weighing 39 tons, the Metamorphosis measures 11 meters or 36 feet in height.

Charles IV (Karel IV) (1316 – 1378)
The first King of Bohemia to become Holy Roman Emperor, Charles IV was crowned in 1346 and made Prague his capital. During his rule the city played a prominent intellectual and cultural role in Europe. A major patron of Prague, he also had the Charles Bridge built, established the first university in Central Europe and founded the New Town in the capital city. He had Karlštejn Castle built to safeguard the crown jewels.

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Jan Amos Comenius (Komenský in Czech) from Dobré knihy

Jan Amos Comenius (1592 – 1670)

This 17th century religious and educational reformer was fiercely Protestant, a member of the Unity of the Brethren denomination (also called Unitas Fratrum) and its last bishop. His work and life focus on his relationship to God, and he became a religious refugee on more than one occasion, living in Sweden, the Holy Roman Empire, England, the Netherlands and other countries. Jan Amos Comenius (Komenský in Czech) wrote innovative textbooks, encyclopedias, dictionaries and philosophical and theological studies. He even penned one of the most prominent works of Czech literature, the allegorical The Labyrinth of the World and Paradise of the Heart. Some of his reforms of the school system are still in use today. Comenius contributed greatly to universal education, and it is no wonder that he is considered a symbol of the Czech nation.

Ema Destinnová (1878 – 1930)
A Czech opera singer born in Prague, she started her career successfully in Berlin and later became a member of New York City’s Metropolitan Opera, where she performed in Smetana’s The Bartered Bride, Puccini’s La fanciulla del West and Wagner’s operas, for instance. Because she had connections with the Czech resistance, her Czech passport was revoked in 1914. Two years later, when returning to the Czech lands from the USA, the Austrians accused her of espionage and placed her under house arrest at her chateau in Bohemia. During 1918 she was back in the limelight, singing on Czech stages. Even the first president of Czechoslovakia, Tomáš G. Masaryk, visited her at the chateau she called home. She died at the age of 51 and is buried among great contributors to the Czech nation at Vyšehrad Cemetery in Prague. She also wrote poems, songs, novels and plays.

Josef Dobrovský (1753 – 1829)

This philologist, historian and Jesuit priest played a significant role during the Czech National Revival, although he did not write in Czech. Dobrovský, one of Europe’s first and foremost linguists, founded Slavic studies in the Czech lands. He was a key figure in establishing the Royal Czech Society of Sciences and Prague’s National Museum. His writings focus on Slavic studies, historiography and philology. He also contributed to the study of archeology and botany.

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Václav Havel hugging Alexander Dubček, picture from Czech Free Press

Alexander Dubček (1921 – 1992)

Dubček is best known as the Slovak First Secretary of Czechoslovakia who instigated the liberal reforms of the Prague Spring in 1968, when the country experienced more freedoms. At that time, Czechoslovakia seemed destined to find its own individual identity while remaining a Communist country in what was called “socialism with a human face.”  The Soviets put an end to the Prague Spring in August of 1968. Dubček also was a prominent politician before 1968 and after the Velvet Revolution of 1989. His life ended tragically on November 7, 1992.

Antonín Dvořák (1841 – 1904)
Neo-Romantic composer and head of Prague Conservatory, Dvořák was strongly influenced by Czech, Moravian and other Slavic folk music. The creator of nine symphonies, he is best known for From the New World, which was inspired by a tour of the United States. From 1892 to 1895, he worked as director of the National Conservatory of Music in New York City. His opera Rusalka has achieved worldwide acclaim. Dvořák also composed two sets of Slavonic dances, symphonic poems, songs, choral works, chamber music and piano music, for instance. He created the religious work Stabat Mater, the chamber piece Dumky Trio, the Cello Concerto and American String Quartet as well as the Moravian Duets. He admired Richard Wagner’s operas. The librettos of eight of his nine operas were written in Czech. He often travelled to England and also visited Russia.

Miloš Forman (born 1932)
This film director, screenwriter and professor greatly influenced the New Wave movement in the 1960s with movies such as Talent Competition, Black Peter, Loves of a Blonde and The Fireman’s Ball. During this time period he often focused on reality and everyday life, sometimes using individuals who had no acting experience to play main characters. After the Soviet tanks ended the Prague Spring of 1968, he emigrated to the USA, where he experienced more success. There, his films often dealt with themes of alienation and craziness. His 1975 hit One Flew Over the Cuckoo’s Nest captured five Oscars, and his 1984 creation Amadeus nabbed eight Oscars. He also directed a film version of the musical Hair.

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Josef Gočár (1880 – 1945)

One of the pioneers of modern Czech architecture, Gočár has created architectural masterpieces in Prague, Pardubice and Hradec Králové, to name a few places, implementing styles of Cubism, Rondocubism, Functionalism and Constructivism. His contributions to architecture between the two world wars have distinguished him as one of the most significant personalities in Czech architectural history. From the House of the Black Madonna in Prague to the development plan of modern Hradec Králové to the Grand Hotel in Pardubice, his awe-inspiring creations spectacularly dot the Czech landscape.

George of Poděbrady (1420 – 1471)

George (Jiří in Czech) of Poděbrady served as King of Bohemia from 1458 to 1471 and also was leader of the Ultraquist Hussites, who were not the radical branch of the Hussites. The Hussite wars in the 15th century set factions of Hussites against each other, and foreign armies took part, too. He was successful on the battlefield during these wars. He defeated the Austrian troops of King Albert II in one battle and greatly contributed to the demise of the extreme Taborite branch of Hussites in another battle. Though he made many efforts to get the confidence of Pope Pius II, the Pope did not approve of him. He often found himself in conflicts with Rome. Pope Paul II excommunicated George of Poděbrady when his nobles revolted against him.

Karel Gott (born 1939)

Often called the “Golden Voice of Prague” and the “Sinatra of the East,” singer and painter Karel Gott is a master performer of romantic ballads. Yet his success – from 1960 to the present – is largely due to a diverse repertoire that includes operas, classical compositions, jazz, musicals, rock ‘n roll, country, western and disco music. The most acclaimed singer in the country, he has performed all over the world.

Jan Grossman (1925 – 1993)

Grossman’s tenure as artistic director of Prague’s Divadlo Na zábradlí (The Theatre on the Balustrades) from 1961 to 1968 is considered one of the most significant eras of Czech postwar theatre. There, he directed Havel’s The Memorandum and The Garden Party, Jarry’s Ubu The King and Kafka’s The Trial, to name a few. He was punished by the Communists on numerous occasions. After the February 1948 Communist coup, he was expelled from university, forced to leave his job as lecturer at the National Theatre and banned from publishing for a lengthy period. When he again was allowed to work in the literary sphere, he edited books by significant Czech authors, including František Halas and Miroslav Holub. After the tanks of the Warsaw Pact countries entered Prague and the 1968 Prague Spring was crushed, he was no longer allowed to direct in Czechoslovakia. He had to work abroad. Then, in 1975, the Communists revoked his passport, and he was forced to do his directing in the country but outside of Prague. From 1989 to his death in 1993, he was once again creating stagings with Divadlo Na zábradlí, directing Havel’s Largo Desolato and Temptation as well as Moliere’s Don Juan and Bennett’s Kafka’s Dick.

Dominik Hašek (born 1965)

This legendary Czech goaltender was inducted into the Hockey Hall of Fame during November of 2014. His career spanned 16 seasons, as he represented the Chicago Blackhawks, Buffalo Sabres, Ottawa Senators and Detroit Red Wings. He also tended goal for Czech HC Pardubice and Spartak Moscow. Dubbed “The Dominator,” he starred in the NHL from the 1990s to early 2000s. From 1993 to 2001, he was awarded the NHL’s Vezina Trophy six times. He played a vital role on the Red Wings when they captured the Stanley Cup in 2002. Hašek holds the distinction of having the highest career save percentage ever in the NHL (0.9223). He was 43 years old when he retired.

Jaroslav Hašek (1883 – 1923)

This writer, journalist, pubgoer, hoaxer and anarchist is best known for his four-volume epic The Fortunes of the Good Soldier Švejk in the First World War, a picaresque novel focusing on the lovable idiot Josef Švejk, who messes up orders by acting them out literally. The book expresses the plight of the common man in the dawn of a new age and is famous for its Czech humor and anecdotes. Hašek also succeeded as a story writer – overall, he had about 1,500 stories in print. The writer fought in World War I but was captured and placed into a POW camp in Russia. Then he joined the Czech Legion. The former bank clerk and dog seller was no stranger to prison, as he was sometimes jailed for his unruly, bohemian behavior.

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Václav Havel, former dissident and President of Czechoslovakia and the Czech Republic

Václav Havel (1936 – 2011)

The playwright-turned-president led Czechoslovakia and then the Czech Republic for a total of 13 years, shaping his nation into a Western style democracy. He was the first President of Czechoslovakia to be elected in a democratic election in 41 years. Under his guidance the Czech Republic became a member of NATO, and he contributed greatly to the Czech Republic’s acceptance into the European Union. He left the political sphere in 2003, During 2008, his play Leaving premiered in Prague and later was made into a film. Havel was one of the country’s most prominent writers, penning plays, essays, letters, poetry, memoirs and speeches. He worked as playwright and dramaturg at Prague’s Divadlo Na zábradlí during the 1960s, where his absurd plays such as The Memorandum, The Increased Difficulty of Concentration and The Garden Party were first staged. He helped instigate Charter 77, a document signed by dissidents, promoting human rights and taking a stance against the repressive regime. Havel was imprisoned for his dissident activities under Communism several times. He spent almost four years in prison from 1979 to 1983.

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A young Olga Havlová and Václav Havel, photo from Knihovna Václava Havla

Olga Havlová (1933 – 1996)

The first wife of Czechoslovak and later Czech Republic President Václav Havel grew up in a working-class family with the name Šplíchalová, toiling in the gritty Žižkov district of Prague. This former First Lady worked in a factory after graduating from high school and later took on various jobs. She met Václav Havel for the first time in the first half of the 1950s and married him in 1964. A theatre and film enthusiast, Olga worked as an usher at The Theatre on the Balustrades during the 1960s, the same theatre where Václav served as dramaturg and staged his plays. She supported Václav’s dissident activities and even took part in them herself. From 1979 to 1983, Olga was the recipient of her husband’s letters from prison. Later, this correspondence would be published as the philosophical Letters to Olga. She co-founded the underground video magazine, Original Videojournal, which documented dissident activities. Olga also was a driving force behind the founding of About Theatre magazine. From 1989 to 1996, as First Lady, she devoted her time to charities and set up the Olga Havlová Foundation, which helps people with physical impairments and others who are the subject of discrimination in society. During 1991 a Norwegian Foundation named her Woman of the Year, and in 1995 Czechs awarded her that honor. In 1997, she posthumously received the Czech Republic’s Order of Tomáš G. Masaryk. A documentary film about her life nabbed the Czech Lion award for best documentary in 2014.

Milada Horáková (1901 – 1950)

A champion of women’s rights and democratic principles, Horáková was executed by the Communists on June 27, 1950. Her opinions and criticism of the regime had made her a target for the Secret Police, who incarcerated her on trumped up charges of conspiring to overthrow the republic. A show trial, reminiscent of those during the Great Purges of the 1930s in the Soviet Union and enforced by Soviet advisors, ensued. She received the death penalty. Horáková’s hanging marked the death of an anti-Nazi and anti-Communist fighter who had fervently fought for democracy and the ideals of first Czechoslovak President Tomáš G. Masaryk.

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Bohumil Hrabal, photo from Moderní-Dějiny.cz

Bohumil Hrabal (1914 – 1997)

This life-long pubgoer had a literary career that spanned six decades. He is noted for his grotesque, absurd and irreverent humor and anecdotes and often wrote in Prague dialect. While he is best known for his fiction, he scribed impressive poetry during the early years. Hrabal created the pábitel character, a dreamer living on the outskirts of society who often speaks in meandering, whimsical anecdotes. Hrabal held a myriad of jobs – train dispatcher, trainee lawyer, insurance broker, traveling salesman, paper baler and theatre stagehand, to name a few. He also worked at the Poldi steelworks in Kladno. After the Soviet tanks rolled into Prague during August of 1968, the Communists banned Hrabal’s writings. On February 3, 1997 he either fell or jumped to his death from a fifth floor window of the hospital where he was receiving treatment. Hrabal’s works in English include Dancing Lessons for the Advanced in Age, Harlequin’s Millions, Too Loud A Solitude, I Served the King of England, In-House Weddings, Pirouettes on a Postage Stamp and Closely Watched Trains, which was made into a film by Czech director Jiří Menzel and received an Oscar.

Rudolf Hrušínský (1920 – 1994)

One of the greatest Czech actors of all-time, Hrušinský hailed from a family famous for its contributions to theatre and film.  After sojourns with E. F. Burian’s avant-garde D 39 Theatre and Prague’s Municipal Theatre, he became a member of the National Theatre, where he graced the stage from 1960 to 1992. When, in 1968, he signed dissident Ludvík Vaculík’s 2,000 Words, protesting against the totalitarian regime, Hrušinský was severely punished by the Communists: He could no longer teach at the theatre university, act in film or television or take part in radio broadcasts. Later he was permitted to take up acting again. Some of his dazzling performances on stage took place in plays Ubu The King, Much Ado About Nothing, The Makropulos Thing and The White Plague. After the 1989 Velvet Revolution, he acted in Hrabal’s I Served The King of England along with one of his sons and his grandson at the Činoherní Klub. A prominent actor in films as well as in the theatre, he is known for his roles in the movies The Good Soldier Švejk, The Summer of Caprice, My Sweet Little Village, The End of Old Times, The Cremator, The Death of the Beautiful Deer and Larks on a String, to name a few.

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Jan Hus, photo from MojblognaATLAS.SK

Jan Hus (1370 – 1415)
Hus was a religious reformer, priest, university lecturer, preacher and Czech nationalist symbol who influenced Martin Luther. Inspired by the writings of John Wycliffe, Hus played a major role in the development of Protestantism and emphasized the moral weaknesses of the clergy when speaking from the Bethlehem Chapel in Prague’s Old Town. The Pope and Archbishop were far from pleased with his ideas. In 1414, he was called to defend himself at the Trial of Constance but was arrested immediately. He was burned at the stake as a heretic on July 6, 1415, a day considered the precursor to the Hussite Wars and now commemorated as a Czech national holiday. The Czech Brethren Church consists of his followers even today. Hus also was a pioneer of the Czech language, inventing diacritics. He was a prolific writer as well.

Leoš Janáček (1854 – 1928)

This Czech composer, teacher, folklorist, musical theorist and publicist was greatly influenced by the music of Antonín Dvořák and Moravian folk songs. He also was enthralled with Russian culture. His opera Jenůfa was dedicated to his daughter, who died young. He also is known for the opera The Cunning Little Vixen, the Sinfonietta that is inspired by his beloved Brno and the rhapsody Taras Bulba. From 1881 to 1919, he served as director of the school that became known as the Brno Conservatory. His string quartet, The Kreutzer Sonata, also is a top-notch work. He befriended theatre critic, dramatist and translator Max Brod, who published Janáček’s biography.

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Jaromír Jágr, photo from Týden.cz

Jaromír Jágr (born 1972)

One of the greatest ice hockey players of all-time, right wing Jaromír Jágr helped the Pittsburgh Penguins to Stanley Cups in 1991 and 1992 and guided the Czech National Team to gold in the Winter Olympics in Nagano during 1998. He has played for the Florida Panthers, New Jersey Devils, Pittsburgh Penguins, Washington Capitals, New York Rangers, Philadelphia Flyers, Dallas Stars and Boston Bruins, for instance. He also skated in Russia with Omsk of the Kontinental Hockey League during three seasons. He served as captain of the Pittsburgh Penguins and New York Rangers. Jágr has won numerous awards in the NHL, including the Art Ross Trophy as the league’s leading scorer numerous times.

John of Nepomuk (Saint) (1340/50 – 1393)

This martyr of the Catholic Church and national saint of Bohemia was tortured and drowned in Prague’s Vltava River. Historians argue about the reasons for his horrendous fate. One possibility involves his being condemned to death by Bohemian King Wenceslas IV when he refused to divulge the queen’s secret confessions to the king while John of Nepomuk was the queen’s confessor. Another version states that King Wenceslas IV and John of Nepomuk disagreed on the appointment of an archbishop. He is now considered to be the patron saint against catastrophes, floods and drowning.

Josef Jungmann (1773 – 1847)

This linguist, translator and prose writer, along with Josef Dobrovský, is considered to have laid the foundations for the modern Czech language,. His most valuable work was his five-volume Czech-German dictionary, which includes the basis of modern Czech vocabulary. Jungmann put to use archaic words and borrowed words from other Slavic languages, and they became a part of the modern Czech language. He also wrote novels and polemic works. Jungmann translated into Czech from German, French and English, making the works of Milton, Schiller and Goethe available to Czech speakers. Emperor Ferdinand gave him with a medal for his dictionary.

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Franz Kafka, photo from kultura.zpravy.idnes.cz

Franz Kafka (1883 – 1924)
This German-Jewish writer born and brought up in Prague authored The Trial, The Metamorphosis, The Castle and In the Penal Colony, to name a few. He worked for many years as an insurance clerk. Kafka’s characters cannot communicate with others and find themselves consumed by anguish in absurd situations that they cannot control. Kafka wrote of guilt and despair and satired bureaucracy. Born next to the Old Town’s St. Nicholas Church, Kafka is buried in the New Jewish Cemetery in the Žižkov district.

Ivan Klima (born 1931)

This versatile writer of prose, plays, essays, feuilletons and children’s books spent three and a half years in the Terezín concentration camp along with his parents, persecuted for their Jewish origins. Somehow they all survived. After the war he joined the Communist Party but was expelled in 1967, reinstated in 1968 and expelled again in 1970. From 1970 he was a banned author, having to publish illegally in samizdat. Klíma has won numerous awards for his writing. Some of his books in English are Love and Garbage, My First Loves, My Golden Trades, Judge on Trial and his autobiography, My Crazy Century.

Frantisek Křižík (1847 – 1941)

This inventor and electrical engineering guru created the automatic arc lamp and built the first electric railway in the Austro-Hungarian Empire, as trains made their way from Tábor to Bechyně. Thanks to Křižík, the first electric street car line in Czech lands ran through the Letná fairgrounds at the Jubileum Exhibition in Prague during 1891. It was 800 meters long. He perfected the design of electric street cars and constructed power stations, too. His equipment was used in 130 power stations during his lifetime.

Milan Kundera (born 1929)

One of the world’s most well-known and most translated Czech authors, Kundera has published poems, plays, prose and essays. He has lived in France since 1975, and the Communists revoked his Czechoslovak citizenship in 1979. Under the totalitarian regime his books were banned. His most significant works include the novel The Unbearable Lightness of Being (1984), which was inspired by Nietzsche’s philosophy and his first novel, The Joke, which criticizes the totalitarian regime. His writings have been inspired not only by Nietzsche but also by Rabelais, Robert Musil and Miguel de Cervantes, among others. Kundera used to write in Czech but since 1993 has penned his prose in French. He has been nominated for the Nobel Prize in Literature several times.

Ivan Lendl (born 1960)

Born in Ostrava to two successful tennis players, Lendl continued the family tradition with a flourish, becoming the number one ranked player. He played a significant role in pro tennis during the 1980s and early 1990s and is considered to be one of the best players of all-time. He has won eight Grand Slam singles titles while competing in 19 Grand Slam singles finals and nabbed 22 Championship Series titles. Overall, he notched 94 singles titles. Lendl moved to the USA in 1981 and became a US citizen during 1992. Lendl retired in 1994, when he was 34 years old. An avid fan of Alphonse Mucha, Lendl owns an almost complete collection of this artist’s posters. An exhibition of his collection took place at Prague’s Municipal House during 2013.

Princess Libuše (pre-9th c.)
She is often called the “Mother of Bohemia.” According to legend, clairvoyant Libuše stood on a cliff on Vyšehrad Hill overlooking the Vltava River during the eighth century and predicted that Prague would be founded there. She and ploughman Přemysl Oráč established the Přemyslid dynasty, which lasted from the 10th century to 1306.

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Bohumil Hrabal and Arnošt Lustig in U Zlatého tygra pub in Prague

Arnošt Lustig (1926 – 2011)

This prolific Czech Jewish author focused on the Holocaust in his novels, short stories, plays and screenplays. Lustig spent time in three concentration camps during World War II. In 1945 he made a daring escape and hid in Prague for the rest of the war. When peace arrived, he became a member of the Communist Party, but Lustig gave up his membership in 1967. He was forced to leave the country after the Soviet tanks crushed the Prague Spring of liberal reforms in 1968. Lustig settled in the USA, and in the early seventies began teaching at The American University in Washington, D.C. After he retired from the university in 2003, Lustig moved back to Prague. Many of his novels are available in English: A Prayer for Katerina Horovitzova, Dita Saxova, Night and Hope, Darkness Casts No Shadow, Lovely Green Eyes, Indecent Dreams and others. Many of his novels have been adapted for the big screen. In 2008 Lustig was nominated for the Pulitzer Prize.

Karel Hynek Macha (1810 – 1836)

This pioneer of Czech Romanticism died at the age of 25. Still, in such a short time, he found modern Czech poetry and wrote poetry. He authored one of the best poems in Czech literature, May (Máj), a lyric epic poem about a prisoner awaiting execution. It contains motifs of love, nature and country. Yet his writings did not receive much acclaim during his lifetime, and May was his only book that was published when he was alive.

Bohuslav Martinů (1890 – 1959)

This Czech composer created almost 400 works, including six symphonies, 15 operas, 14 ballet scores as well as orchestral, chamber and choral music, for instance. He is best known for his neoclassical style. The piano plays a major roles in many of his orchestral pieces. He also utilized Bohemian and Moravian folk melodies. Martinů lived in Paris from 1923 – 40 and then emigrated to the USA, settling in New York City. He wanted to go back to Czechoslovakia in the 1940s, but his hopes were dashed when Foreign Minister Jan Masaryk was murdered by the Communists in 1948. From 1953 to 1959, he resided in Europe. His compositions include Memorial to Lidice (1942), written for the village razed by the Nazis in Czechoslovakia. He also wrote the opera Julietta and the Double Concerto for Two String Orchestras.

Jan Masaryk (1886 – 1948)

The son of first Czechoslovak president Tomáš G. Masaryk, Jan made a name for himself as a Czech diplomat and politician. He worked as chargé d’affaires to the USA from 1919 to 1922 during the First Republic. From 1925 to 1938, he served as his country’s ambassador to Britain, but he resigned when the Nazis took control of the Sudetenland, which had been the part of Czechoslovakia with a German majority. He remained in London, acting as the Foreign Minister for the Czechoslovak government-in-exile during World War II. He continued to hold the same post after the war even though the Communist Party was becoming more and more powerful. Jan was still serving in this capacity after the February of 1948 Communist coup. On the morning of March 10, 1948, his body was discovered in the courtyard of Prague’s Černín Palace, where the Foreign Ministry has its offices. His corpse was found below his bathroom window. At first it was declared a suicide, but investigations in the 1990s and 2003 labelled his death as murder.

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Tomáš G. Masaryk, first President of Czechoslovakia

Tomáš Garrigue Masaryk (1850 – 1937)
This philosopher, professor and prolific author held the post of Czechoslovakia’s first president for three terms that lasted 17 years. Guiding the government in exile during World War I, he argued for independence rather than autonomy. When he married the American Charlotte Garrigue, he adopted her last name as his middle name. Masaryk took a stance against antisemitism in the Hilsner Affair. He believed in giving minorities the right to embrace their national identities, freedom of the press and universal suffrage. He was convinced that a small nation could play a significant role in Europe. He also promoted the most contemporary advancements in science, the humanities and world literature. He viewed religion as a source of morality. Masaryk traveled to Washington, D.C., where he received the support of President Woodrow Wilson at the end of World War I for a sovereign republic of Czechs and Slovaks. This nation was founded as Czechoslovakia on October 28, 1918. He resigned for health reasons in 1935 and died less than two years later. In his writings he described the oppressiveness of tsarist Russia, analyzed causes of suicide and warned Czechs against the dangers of radicalism and escapism. He also criticized Marxism and supported the women’s movement. He was nominated for the Nobel Peace Prize 17 times.

The Mašín Gang – Ctirad (1930- 2011) and Josef Mašín (born 1932), Milan Paumer (1931 – 2010), Zbyněk Janata (1932 – 1955) and Václav Šveda (1921 – 1955)

The five anti-Communist fighters making up the “Mašín Gang” are remembered for their acts of sabotage in the early 1950s as well as for their 1953 death-defying escape to the West that covered 200 miles in 28 days. The group consisted of brothers Ctirad and Josef Mašín, Milan Paumer, Zbyněk Janata and Václav Šveda. During two raids on police stations to obtain weapons, the group killed two police officers. Then they shot a wages clerk to obtain 846,000 Czechoslovak crowns. During their escape, they were responsible for the death of three East German police officers. Their actions have triggered heated debates about whether they are heroes or villains.

Gregor Johann Mendel (1822 – 1884)
The father of genetics and the laws of heredity often referred to as Mendel’s Laws was a German-speaking Moravian scientist, born in Heinzendorf (now Hynčice, Czech Republic). Mendel was educated at an Augustinian monastery in Brno, where he also performed his experiments with plants. He founded the rules of heredity by examining seven characteristics of pea plants.

Jiří Menzel (born 1938)

This world-renowned director’s career in film was launched with his rendition of Bohumil Hrabal’s Closely Watched Trains, which won the 1966 Oscar for Best Foreign Film. My Sweet Little Village was nominated for an Oscar in 1985. Another much acclaimed film was Larks on a String, based on fiction by Hrabal. Other notable films he directed include the Summer of Caprice, The Beggar’s Opera, I Served the King of England and The End of Old Times. Since the 1970s he has devoted time to directing in the theatre as well, at home and abroad. He also has acted in films, appearing in Closely Watched Trains, The Cremator and Summer of Caprice, for instance.

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Alphonse Mucha, from the web page of Jarmila Mucha Plocková

Alphonse Mucha (1860 – 1939)
The imaginative and passionate creations by legendary Art Nouveau painter and decorative artist Alphonse Mucha are well-known throughout the world, especially the idealized images of Sarah Bernhardt with her poignant, exhilarating gaze. An avid supporter of democratic Czechoslovakia, Mucha is also celebrated for his patriotic and folk art themes that celebrate not only the Czechoslovak nation but also Slav unity. He was prolific, creating posters, books, magazine and book illustrations, stained glass windows, jewelry, theatre sets, costumes and more.  The Mucha style features beautiful, young women exuding optimism and happiness in extravagant, flowing robes designed in pale pastels. Flowers or crescent moons make halos around the enchanting figure’s head. He employed folk elements that were not only Czech but also Byzantine, Celtic, Rococo, Gothic and Judaic, among others. Tourists will not want to miss the opportunity to visit Prague’s Mucha Museum.

Martina Navratilová (born 1956)

Considered one of the best female tennis players of all-time, Martina Navratilová has an impressive list of accomplishments. She nabbed 20 Wimbledon titles and 18 Grand Slam titles. She remains the only player to ever rank first in both singles and doubles for over 200 weeks. She was the number one female in singles from 1982 to 1986. When she was given temporary residence in the USA during 1978, when the Communist government of her homeland revoked her Czechoslovak citizenship. She became a US citizen during 1981. She also has achieved much success as a tennis coach and has written several books.

Božena Němcová (1820 – 1862)

A significant writer during the Czech National Revival movement, she authored The Grandmother, based on memories of a happy childhood in the countryside. The main character, a grandmother, is a symbol of good, love and morality. The book has an optimistic tone. Němcová also wrote travelogues, fairy tales, legends and several other novels. The Grandmother has been made into a film and has been adapted for the stage.

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Jan Neruda, photo from ceskatelevize.cz

Jan Neruda (1834 – 1891)

This prolific writer of the Czech Realism movement was a poet, prose writer, journalist, playwright, literary critic, drama critic and translator. He hailed from Prague’s Little Quarter, and his collection of short stories, Tales of the Lesser Quarter (1877) are imbued with the special and magical atmosphere of this district. As a journalist he concentrated mostly on writing feuilletons and contributed greatly to the development of that genre. He wrote about everyday occurrences as well as exceptional events in Prague and its society. His prose also often was set in Prague. As a poet, though, he was pessimistic and skeptical. He also translated poetry, legends and national songs, for instance. He is buried in Prague’s Vyšehrad Cemetery, and the main street in the Little Quarter is named after him.

Jan Opletal (1915 – 1939)

This Charles University student was shot by German soldiers during the October 28, 1939 demonstrations against the Occupation. The strong believer in democracy died in the hospital November 11, 1939. His public funeral in Prague, held on November 15, became a spontaneous demonstration and would be the last big demonstration against the Nazis in the Protectorate. As a result, on November 17, German soldiers beat and arrested many students, even executing some and sending others to a concentration camp. Furious because of the demonstration at Opletal’s funeral, Hitler closed all Czech universities and dormitories for three years. Now November 17 is considered to be International Students’ Day and is a holiday in the Czech Republic.

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Jan Palach, photo from vsezlate.blog.cz

Jan Palach (1948 – 1969)

The 20-year old Charles University student set fire to himself on Wenceslas Square in Prague on January 16, 1969, protesting the lack of freedoms and passivity of Czech citizens. He died in the hospital from his injuries. Palach’s funeral at Prague’s Olšany Cemetery on January 25 turned into a huge demonstration against the Soviet Occupation. After Palach’s death, the Communists imposed the rigid rules of the normalization era. Commemorating the 20th anniversary of Palach’s sacrifice, Jan Palach Week in 1989 was marked by many demonstrations against the totalitarian regime, and police used brutality in response to the protests. Dissident Václav Havel was arrested and imprisoned during Jan Palach Week in 1989.

František Palacký (1798 – 1876)

This Czech historian, writer and politician who greatly influenced the Czech National Revival movement is often called “The Father of the Nation.” His mammoth literary accomplishment, The History of the Czech Nation in Bohemia and Moravia is one of the most significant books in Czech history and remains an authority to this day. He traveled to archives all over Europe to do research on the work. Palacký, a nationalist and a Protestant, envisioned Czech history as a constant battle between Slavs and Germans. He was also very active politically. During the Revolution of 1848 he took an anti-German stance. In the 1860s he joined the Austrian senate as head of a nationalist-federal party called the Old Czechs. He promoted the idea of Czech autonomy with Bohemia, Moravia and Silesia belonging to a Czech kingdom.

Jan Patočka (1907 – 1977)

One of the most significant philosophers in Central Europe during the 20th century, Patočka dealt with the philosophy of educational reformer Jan Amos Comenius and the first president of Czechoslovakia, Tomáš G. Masaryk, among others. He also focused on the philosophy of history and contributed to Czech culture. Patočka came up with a unique philosophy of three movements in human existence – receiving, reproduction and transcendence. He was banned from teaching during the Nazi Occupation and also for many years by the totalitarian regime. His philosophical thought greatly influenced the dissident movement in Czechoslovakia from the 1960s through the 1980s. Patočka was one of the first signatories of Charter 77, a human rights movement in the country drafted in 1977.  The Secret Police repeatedly interrogated him, and these lengthy interrogations triggered his death. At his funeral, Czechs demonstrated against the Communist regime.

Přemysl Otakar II (1233 – 1278)

Dubbed “The Iron and Golden King,” Přemysl Otakar II brought prosperity and prestige to the Czech lands as the fifth Czech leader, reigning from 1253 to 1278. With the exception of Holy Roman Emperor Charles IV, this energetic and well-educated ruler is the most revered Czech sovereign due to his penchant for promoting trade as well as making legal and other reforms. He created about 50 towns in Bohemia, Moravia, Silesia, Austria and Styria and founded Prague’s Little Quarter (Malá strana). He also had many castles built.

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Jaroslav Seifert, photo from Web-Blog.cz

Jaroslav Seifert (1901 – 1986)
The only Czech to be awarded the Nobel Prize for Literature, Seifert was not only a poet, though he is best known for his works in this genre. He also worked as a journalist and translator, for instance. He published over 30 collections of poems. Seifert’s first poems appeared in 1921, and during the 1920s he was one of the founders of the influential journal Devětsil. Seifert signed Charter 77, a document calling for human rights and opposing the Communist regime. Even though his relationship with the Communist regime was complex, he was given the title of National Artist and received state prizes.

Bedřich Smetana (1824 – 1884)
An avid supporter of Czech nationalist identity, Smetana invented an entirely new genre of Czech opera. He composed eight operas, including The Bartered Bride and Libuše. He focused on Czech legends in his six symphonic poems called Má Vlast, and the Vltava movement in the symphony is always performed on the opening night of the annual Prague Spring Music Festival. A museum in Prague honors the composer who strove to express characteristics of the Czech people in his music.

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Ladislav Smoljak, the bust of Jára Cimrman and Zdeněk Svěrák, photo from lidovky.cz

Ladislav Smoljak (1931 – 2010)

Although he majored in mathematics and physics, Smoljak made a name for himself in the world of theatre and film. One of the three founders of the Jára Cimrman Theatre, he co-wrote for this theatre 13 plays with Zdeněk Svěrák and authored one by himself. He took on acting and directing in the ensemble. He was also a screenwriter and film director, often co-writing scripts with Svěrák. Smoljak was an expert on Czech comedy. A strong supporter of the Velvet Revolution, he was politically active as well. This dazzling performer for the Jára Cimrman Theatre was also an educator.

Josef Sudek (1896 – 1976)

Although he lost one arm while fighting for the Austro-Hungarian army during World War I, Sudek became one of the most renowned avant-garde photographers in the world and one of the most significant Czech photographers to work between the two world wars. A bookbinder by trade, he is best known for his photographs of Prague, including pictures of the interior of St. Vitus’ Cathedral and many photographs of the city at night. He also took snapshots of the interior of his studio and the views from its windows. Still lifes, landscapes and advertisements also make up the repertoire of his innovative work. While he focused on the Pictorialist style during the 1920s, most of his creations are considered to be in the Neo-Romantic style.

Josef Suk (1929 – 2011)

The grandson of composer Josef Suk and great-grandson of Antonin Dvořák, this violinist also played the viola and conducted. In 1961, he became a soloist for the Czech Philharmonic and performed with top-notch orchestras around the world. He gave concerts in the USA, Germany, Romania, France, Belgium and the Netherlands, for instance. He was renowned for his performances of pieces by Bach, Mozart and Beethoven. His rendition of Dvořák’s Violin Concerto received much acclaim. He also was a chamber musician, playing with the Prague Quartet, Suk Trio and Smetana Quartet. From 1974 to 2000, he conducted with the Suk Chamber Orchestra that he founded. Suk won many awards, including the National Order of the Legion of Honor in 2002.

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Ladislav Smoljak and Zdeněk Svěrák in the play Afrika, photo from showbiz.cz

Jan Svěrák (born 1965)

The son of actor and screenwriter Zdeněk Svěrák has made a name for himself as one of the best filmmakers of his generation. His film Elementary School, which takes place shortly after the end of World War II, was nominated for an Oscar in 1991. His film Kolya nabbed an Oscar in 1996. He often teams up with his father in his work. Zdeněk Svěrák wrote the screenplays for Jan’s feature films Empties, Dark Blue World and The Three Brothers.  His father acted in Elementary School, Kolya, Empties and The Three Brothers, too. Jan also filmed the documentary Papa, which focuses on his father’s intriguing life. Kuky Returns also received acclaim. During 2016 and 2017, he directed Barefoot Across the Stubblefield, a film based on his father’s biographical novella about life in a village during and after the Nazi Occupation. Jan also has received three Czech Lion Awards, a Crystal Globe and the Tokyo Grand Prix prize.

Zdeněk Svěrák (born 1936)

One of the most popular personalities in Czech culture, Zdeněk Svěrák is a man of many talents: He is an actor, screenwriter and writer of children’s books, stories and musical texts. Along with actor Ladislav Smoljak, he invented the fictional character Jára Cimrman, an unlucky Czech genius who, in his lifetime, did not get the credit he deserved for his masterful inventions and other achievements. Cimrman had been an inventor, detective, poet, writer of fairy tales, philosopher, gynecologist, dentist, philosopher and composer, for instance. Though fictional, Jára Cimrman was chosen the Greatest Czech in 2005. The extremely popular Jára Cimrman Theatre performs 15 of Cimrman’s plays set during the Austro-Hungarian Empire. Svěrák co-wrote 13 of the the plays, penned one by himself and acts in them. But Svěrák does not limit his acting to the stage. He is a well-known film actor and screenwriter, too. He has authored scripts that his son Jan has directed, including Kolya, which won an Oscar during 1996, Elementary School, also nominated for an Oscar, Empties, The Three Brothers and Dark Blue World. He also wrote and acted in the comedy Run, Waiter, Run! Other films in which Svěrák has cast his magical acting spell include My Sweet Little Village, The Snowdrop Festival, Larks on a String, Dissolved and Effused and Seclusion Near A Forest. His books in Czech include Stories, New Stories, Barefoot Across A Stubble Field and The Three Brothers.

Emil von Škoda (1839 – 1900)

Thanks to this prominent and industrious Czech entrepreneur, Škoda Works (now Škoda Transportation) became the largest industrial business in the Austro-Hungarian Empire and later in Czechoslovakia. At first the enterprise focused on steel but also manufactured equipment for sugar refineries, malt houses and breweries. Later, it became one of the largest manufacturers of weapons in Europe. Now called Škoda Transportation, the company concentrates on making trams, electric locomotives and rapid transit train systems.

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Václav Havel and writer Josef Škvorecký, photo from Aktuálně.cz

Josef Škvorecký (1924 – 2012)

Nominated for the Nobel Prize in 1982, Škvorecký was a prolific and prominent writer on the postwar Czech literary scene. He is best known for his novels and stories, but he also wrote essays, translated works by authors such as Faulkner and Hemingway into Czech and worked as a university professor in Toronto, where he settled after fleeing Czechoslovakia during Communism. Along with his wife Zdena Salivarová, he founded one of the most influential publishing houses, specializing in literature by dissidents, ’68 Publishers in Toronto. In his first novel, The Cowards, he introduced the character who would feature in many of his literary creations, Danny Smiřický, a young man with a passion for jazz and girls. The book takes place in a fictional town mirroring Škvorecký’s hometown of Náchod at the end of World War II. In another novel, The Miracle Game, Danny turns up again, this time amidst the political events of the 1950s and 1960s. In The Engineer of Human Souls, Danny is a university professor in Toronto. Life as an expat, the trials and tribulations of living under Communist rule and the magic of jazz are themes often found in Škvorecký’s works. Many of his books have been translated into English, including Miss Silver’s Past, The Swell Season, Dvořák in Love and The Bass Saxophone. He also wrote a trilogy of mysteries featuring Lieutenant Borůvka. During 1990 Škvorecký received the prestigious Order of the White Lion award from then President of Czechoslovakia, Václav Havel.

The Three Kings – Josef Balabán (1894 – 1941), Josef Mašín (1896 – 1942) and Václav Morávek (1904 – 1942)

A major player in the Czech resistance movement during the Nazi Occupation, The Three Kings – a code name coined by the Nazis who hunted them – made significant contributions to the Czechoslovak cause from 1939 to 1942. Working for the resistance group Defense of the Nation set up by former army officers, protagonists Josef Balabán, Josef Mašín and Václav Morávek relayed information about life in the Protectorate to the Czechoslovak government-in-exile in London via radio transmitters. News often involved the movement of goods and German transports as well as political and economic events. These resistance fighters also carried out acts of sabotage by staging bomb attacks and setting fire to factories. They collected weapons for the resistance and helped with the publishing and distribution of the underground magazine V boj! as well. In addition, the three-man team helped agents escape from the Protectorate.

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Josef Kajetán Tyl, photo from web pages of Středočeský kraj

Josef Kajetán Tyl (1808 – 1856)

This playwright, journalist, writer and actor wrote the words for the Czech national anthem, Where is my home? He served as actor, director and playwright for an amateur group who performed plays in Czech at Prague’s Theatre of the Estates, where most of the performances were staged in German. After Tyl left that theatre in 1846, he experienced the peak of his career as his collected works were published, and he received many awards. A key player in the Czech National Revival, Tyl got involved in politics during the revolutionary year of 1848, when the Czechs voiced their desire for independence from the Habsburgs.  Many of his 20 plays are still performed today. They basically involve three themes. Some focus on everyday life in Czech society while others portray historical events in the Czech lands. Still others can be described as fairy tales.

Petr Vok of Rožmberk (Rosenberg) (1539 – 1611)

The last of the prominent Rožmberk (sometimes called Rosenberg) dynasty, Petr Vok of Rožmberk created magnificent Renaissance chateaus in Bechyně and Třeboň and influenced the development of Český Krumlov Castle, where he also spent his early childhood. His collection of artifacts and instruments was vast and extremely impressive. A Protestant nobleman during the Catholic Habsburg era of the Holy Roman Empire, he became the non-Catholic authority in the Czech lands.

Wenceslas (Saint) (ca. 907 – 935)
The first Czech saint and the patron saint of the Czech state, Wenceslas (Václav in Czech) served as duke of Bohemia from 921 until his death in 929 or 935. Although he died young, this martyr’s accomplishments were many. He had numerous churches built in Bohemia and was revered as a pious, moral, educated and intelligent man who promoted the Christian faith and took care of the poor, the sick, the widowed and the orphaned by doing good deeds. He founded the rotunda of Saint Vitus at Prague Castle. Wenceslas was executed at the site of the present-day city of Stará Boleslav, on the orders of his younger brother, Boleslav, who took over the Bohemian throne. At the top of Prague’s Wenceslas Square, there is a statue depicting the saint on horseback. It was constructed in 1912.

Wenceslas III (1289 – 1306)

When Wenceslas III was murdered on August 4, 1306, it marked the end of the male line of the legendary Přemysl dynasty of rulers of Bohemia, a dynasty that dated back to the ninth century. The house of Luxembourg took control of the Bohemian throne in 1310. The teenage Wenceslas III ruled Hungary, Poland and Bohemia for a brief period, and his tenure on the throne was punctuated by much friction with Hungary and Poland. It is not known who murdered him while he was resting in a former deanery in Olomouc, Moravia. Wenceslas III had not yet turned 17 at the time of his death. Over the centuries his skeleton was lost.

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Jan Werich and Jiří Voskovec, photo from ceskatelevize.cz

Jan Werich (1905 – 1980)

Actor, dramatist and screenwriter Jan Werich dazzled the public in both film and theatre productions.  The comic duo of Werich and Jiří Voskovec dominated Czech avant-garde theatre between world wars. The man with the deep voice, the chubby cheeks and glowing smile of Santa Claus continued to be a major influence on Czech culture after World War II until his death in 1980.

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Statue of Jan Žižka in front of National Monument in Vítkov, Prague, photo from Alamy

Jan Žižka of Trocnov and the Chalice (1360 1424)

Jan Žižka is one of seven military commanders in history never to lose a battle and one of the greatest leaders in military history. His Hussite army was the first to use field artillery in battle, as Žižka employed unique and ingenious tactics. He brought armored wagons on which there were cannons and muskets into battles and was very successful. In the Battle of Kutná Hora during 1421 he defeated the Holy Roman Empire and Hungary. He led the Taborites during the Hussite Wars. Even going blind did not hinder him from leading his troops into battle.

Tracy A. Burns is a writer, proofreader and editor in Prague.