Zbiroh Chateau Diary

I was very excited to visit Zbiroh Chateau because, even though it had been open to the public since 2005, I was visiting for the first time. It wasn’t far from Prague, either. I knew that the chateau served as a hotel, but I hadn’t realized that there also were tours of the representative spaces. After a steep incline, I approached the two lavish statues of lions that guarded the entrance. The entrance gate seeped with grandeur. Both features hailed from a 19th century renovation.

Czech King Přemysl Otakar II, photo from Turistický denník

I learned about the fascinating history of Zbiroh on the tour. It was built before some time before 1230. In the late 13th century, Czech King Přemysl Otakar II conquered Zbiroh. The Přemysl dynasty of Czech rulers was legendary in the Czech lands. Přemysl Otakar II built many towns, among other accomplishments.

Holy Roman Emperor Charles IV, photo from Medieval Histories

In the 1330s, the future Holy Roman Emperor Charles IV gained control of the property. Charles IV would become perhaps the most prominent figure in Czech history. who had controlled the castle after he returned from fighting in France. Charles IV established towns, churches and castles, for instance. He created Prague’s New Town district, what is now called the Charles Bridge and the first university in Prague. He also had Prague’s Saint Vitus’ Cathedral built.

Emperor Sigismund, photo from Quora

During the 14th century, Petr of Rosenberg owned the castle, and it would stay in his family for about 100 years. Emperor Sigismund, the son of Emperor Charles IV, bought the castle from the Rosenbergs during the 15th century. Other famous royal dynasties would take over the chateau from the time of the Hussite wars in the 15th century – first the Kolowrats, then the Lobkowiczes, then the Sternbergs. During the Hussite wars of the 15th century, Zbiroh was not damaged, a fate that did not behold many other Czech monuments.

Emperor Rudolf II, photo from Kalendar.beda.cz

Emperor Rudolf II as Vertumnus, painted by Arcimboldo, photo from Heureka.cz

At the end of the 16th century, Holy Roman Emperor Rudolf II acquired Zbiroh, and he would have a momentous effect on the castle’s history. Emperor Rudolf II had made Prague the center of the Habsburg monarchy. A lover of art, Rudolf II bought many paintings, and, thanks to him, Prague flourish as a cultural center. He made many changes to the Gothic castle, transforming it into a Renaissance chateau. He liked to hunt on the property.

However, this golden age would come to an end. After the Battle of White Mountain, which the Catholics won against the Protestants in November of 1620, the castle was turned into a prison for the defeated soldiers. During the Thirty Years’ War, Swedish troops damaged and pillaged the chateau Until the middle of the 19th century, the chateau was dilapidated.

Baron Henry Bethel Strousberg and family, photo from Epochplus.cz

That’s when European entrepreneur Baron Henry Bethel Strousberg came along. He made a name for himself throughout Europe as the owner of iron and coal mines, factories and property, among other things. After he purchased the chateau, he made it a representative seat and modernized it. He envisioned making Zbiroh an industrial center focusing on extracting iron ore and wood coal. However, the ore had phosphorous in it, and the project, thankfully, had to be abandoned. Baron Strousberg wound up going bankrupt. He fled to Russia, where he was incarcerated for two years. Then Strousberg went back to Berlin. His family fled to London. The once influential and wealthy Strousberg called an attic flat owned by his former cook home. He died there, penniless.

The lavish arch built during Strousberg’s tenure at Zbiroh

The next owner of the chateau was Duke Joseph Coloredo-Mansfeld. He rented it to legendary Art Nouveau artist Alphonse Mucha. While residing at Zbiroh, Mucha created some of his most important paintings, such as the 20 Slav Epic depictions that celebrate Slav identity.

View from the terrace at Zbiroh

The Mansfelds hung onto the chateau until the Nazis came and turned the place into a SS headquarters. At the end of the war, the Nazis hid their secret documents in the bottom of the chateau’s well – at 163 meters it was the deepest in Europe. Then they covered it with a metal plate at the 150-meter mark so that their documents would be difficult to retrieve.

View of Zbiroh from postcard

The Czechoslovak army took control after the war, in 1945. Zbiroh was taken off the map as a top-secret facility was placed there. Czechoslovakia gathered information about NATO armies. The soldiers did not take care of the chateau. They even used the unique well as an ashtray. The army didn’t leave until 2004, when a private company bought the chateau and Zbiroh was put back on the map. It was open to the public in 2005. Zbiroh’s history is also connected to the Teutonic Knights as the current owner is a member.

The tour was fascinating. In the first room I liked the collection of African masks on the wall. Remnants of some of the documents the Nazis had tried to destroy in the well were on display in another space. My favorite artifacts were the Madonna statues dotting the representative rooms, some hailing as far back as the Romanesque and Gothic eras. A 650-year old Madonna was the most valuable artifact in the chateau. The Christ child appeared jovial and curious while the Virgin Mary looked like a proud mother. In a Late Gothic Virgin Mary sculpture from the 15th century, the Christ Child was smiling, about to break out in laughter. The Virgin Mary donned an elegant, simple crown. An ivory statue of Saint Nickolas also caught my attention. It hailed from the 14th century.

I saw a masterfully carved 13th century Romanesque chest, too. Chamber tiles from the 15th century showed Saint George battling the dragon. I saw many copies of works by Leonardo DaVinci, including the Mona Lisa, a self-portrait of the painter and a portrait of Mary Magdalene. Even though they were reproductions, these paintings were very impressive. A life-size carving of Saint Vitus from the 18th century was another delight.

On the lavish dining room table gilded silverware hailed from the era of Empress Maria Theresa. The napkins were shaped in the form of a lily, a royal symbol. I also saw a detailed map of Bohemia from 1702. The Empire furnishings bought in the mid-19th century were ravishing, too.

Alphonse Mucha created posters for actress Sarah Bernhardt and achieved worldwide acclaim. Photo taken at Mucha exhibition in Wallenstein Riding Stables, 2022.

Mucha’s Rooms were another highlight. I had been a fan of Mucha’s Art Nouveau works for a long time. I had visited the Mucha Museum in Prague and only months before this visit, I had seen the comprehensive Mucha exhibition in the Wallenstein Riding Stables in Prague. In these spaces, I saw a portrait of Mucha featuring Masonic symbols because he had been a Mason. Also, Masonic medals owned by Mucha were on display. I was entranced by Mucha’s historical painting “Master John of Rokycany at the Council of Basel” from 1933. On one wall, Mucha’s students had painted female figures in their teacher’s style.

From Mucha’s Slav Epic paintings, photo taken at Mucha exhibition in Wallenstein Riding Stables, 2022.

The ballroom was the most beautiful space. This was once Mucha’s studio while the balcony had served as a dark room for his photographs. The large room was built in the second half of the 19th century. It featured a skylight with glazed glass and two elegant crystal chandeliers. I spotted Zbiroh Chateau behind what looked like blue mist in a painting by Mucha. The yellow, blue and red decorative wall painting enthralled me as well.

Another masterpiece by Alphonse Mucha, photo taken at Mucha exhibition at Wallenstein Riding Stables, Prague, 2022

Then we walked down a long hallway with Renaissance, Gothic and Baroque tapestries and armors of knights from various eras. As the tour ended, I was very glad I had finally discovered this gem. The history of the chateau was riveting, and the artifacts in the representative spaces were amazing.

It was time to get something to eat. In the parking lot, I noticed the beech trees that surrounded the chateau and listened to the sound of silence. It was so quiet and tranquil, such a relief from the hustle and bustle of daily life.

Tracy A. Burns is a writer, editor and proofreader in Prague.

Advertisement

Plasy Monastery Diary

 

Image

NOTE: I added photos of the interior from my third visit.

I have been to Plasy twice, both times changing trains in Plzeň (Pilsen). It is only 45 minutes from the home of pilsner beer. The exterior of the building did not impress me, but when I got inside, I was in for a treat.

First, a bit about the history of the monastery: Founded in the 12th century by Prince Vladislav II, Plasy was burned down by the Hussites, followers of the martyr and preacher Jan Hus, in 1421 during the Hussite Wars, which pitted radical Hussites against the more moderate ones teamed up with the Holy Roman Empire, Royalists, Hungary and The Pope. (The Radical Hussites lost, and Holy Roman Emperor Sigismund put on the Bohemian crown.) In the 18th century architects J.B. Mathey, Jan Blažej Santini-Aichel and Kilian Ignác Dientzenhofer (the younger of the two Dientzenhofers, who hailed from Bavaria but worked in Bohemia during the 18th century) gave it a High Baroque appearance.

Plasyint2

Things took a turn for the worst, though, when Holy Roman Emperor Joseph II closed down the monastery in 1785. Austro-Hungarian Empire chancellor, diplomat and politician Klement Václav Lothar Metternich bought it in the early 1800s, and his family tomb is located in the Church of Saint Václav (Wenceslas) across the street from the monastery, Plasy is also associated with one particular composer: famous Czech Bedřich Smetana spent a week here. He was not the only Czech personality to set foot in Plasy, though: Czech King Václav I (Wenceslas I) also stayed here on several occasions.

Plasyint6

At the beginning of the tour, I walked along the 61-meter long Cloister Hallway, boasting eight ceiling frescoes by Jakub Antonín Pink. One tripartite fresco depicted the Virgin Mary offering food to monks while another showed the Virgin Mary helping monks work in the fields. I noticed the modern art on the walls of the hallway: All the paintings shared the theme of Saint Jan Nepomucký (whom English speakers might better know as John Nepomuk). The works of modern art seemed out of place, though.

Plasyint7

My group continued to the Chapel of Saint Bernard. Surprisingly, there was no furniture in this room. That was because Metternich sold all of it during his tenure there. Stunning, though, was the high wall painting of Saint Bernard, painted by premiere Czech Baroque artist Petr Brandl, whose works I greatly admired. Saint Bernard was leaning on a rock in a forest as angels flocked above. The ceiling fresco depicted Jesus Christ and the 14 disciples.

Plasyint8

The Chapter Hall, measuring 27 meters in height, was designed by famous architect Kilian Ignác Dientzenhofer. This was where new monks used to be accepted, and where monks had cast their votes for new abbots. I glanced up at the ceiling and was impressed with what I saw – a fresco of the Virgin Mary and a gathering of monks. The tour guide told us to bang our fists on one of the wooden benches: The echo would last more than nine seconds, she claimed. She was right.

Plasyint9

One step into the first part of the library and I wondered where the books were: In the second part there were indeed three tall bookcases, though one was almost empty. There was a reason for this, the guide explained: Metternich had changed the library into a smoking room and theatre. The first section, the former smoking room, featured a ceiling fresco. What did it depict? Hard to tell. All the smoke that had lingered in the air had turned the fresco black. In the other area Metternich had installed a seating area and stage, but I saw a Secession bureau, the three tall bookcases and a ceiling fresco depicting an allegory concerning medicine, philosophy and theology.

The former circular Reading Room was intriguing, too. It was home to eight larger-than-life canvases by Pink. These 18th century Baroque paintings all dealt with themes about eating and drinking, taken from the Old Testament.

Plasyint3

When I walked into Winter Dining Room, I noticed that there were no tables or chairs. Instead, I saw an impressive sculptural grouping of Saint Luitgarda standing in the otherwise empty space. Created by legendary Czech sculptor Matyáš Bernard Braun, its original could be seen on Prague’s Charles Bridge. On the far right-hand side, I peeked into a small window of the monastery prison, where monks were sent if they came late for prayer, for instance.

Plasyint29

I also viewed two foundation water basins set there because the monastery was so close to the Střela River. These were part of the elaborate water pressure system designed by Czech architect Santini-Aichel, who, in order to give the monastery a firm foundation, constructed the convent on 5,100 oak piles and also created a system of connecting channels as a sort of defense against flooding. He specifically used oak wood because oak hardens in water. It fascinated me that Santini also came up with a unique hydrological system for the monastery.

Plasyint20

I didn’t miss the Baroque toilets, which were composed of circular holes in wooden benches. I looked down through the toilet seat and saw water below. On the way to the Hospital Wing, our group stopped at a self-supporting, winding staircase designed by Santini-Aichel, who I knew for his unique Baroque-Gothic style in a church at Sedlec, near Kutná Hora. I stretched my neck to glimpse the ceiling fresco of Archangel Michael fighting a dragon.

Then we moved to the Hospital Wing, where the pharmacy exhibitions were situated. First, I came across the Baroque pharmacy: I noticed the hand-made, exquisitely painted pictures on the drawers. My eyes were especially drawn to the drawer marked “opium.” It was the only one with a lock on it, the guide said.

Plasyint18

The Classicist pharmacy featured a white theme: wooden shelves were stocked with white jars, and the glass jars had white labels. All the labels on the drawers were white as well. Before reaching the Secession pharmacy, I stopped in the small hospital chapel. The Virgin Mary and 14 saintly helpers stared down at me from the ceiling. The Secession pharmacy flaunted many decorations of flowers and plants on the walls and cabinets. A chandelier impressed me, too. I liked the glass jars with white labels and the red and green fancy trim.

Plasyint15

Then our group left the main building of the monastery, crossed the street, passed the bust of Smetana in the small park and entered the Church of Saint Václav (Wenceslas), where Metternich’s family tomb was located. Originally a Gothic church, it had been reconstructed in Baroque style. Richard Metternich, Klement V. L. Metternich’s son, was the last of the family to be buried in the tomb, during 1938. Several abbots were also buried here.

After the remarkable tour I went to a restaurant nearby and had my usual, chicken with peaches and cheese. Then it was time to return to Prague, so I set off for the small train station. The numerous works of Baroque art had been stunning. Two paintings by master Karel Škréta, a creation by Esther I. Raab and six more canvases by Jan Kryštof Liška also helped to represent the rich Baroque art in the monastery. I better appreciated the differences among the three artistic styles by visiting the pharmacies. The Baroque ceiling and wall frescoes were unforgettable.Image